03-09-2021, 08:39 AM
EDIT: This thread has evolved into a collection of images and examples of swallowtail merlons. For more explanation and an overview, see You are not allowed to view links. Register or Login to view..
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There are broadly two ways we have generally tried to explain the presence of swallowtail merlons on the Rosettes foldout:
1) Generic architecture: the artist wanted to draw a crenelated wall and a castle, and in his mind this was what they looked like. We have seen examples of this in various manuscripts: swallowtail merlons on an anonymous wall in a manuscript about siege weapons, or in a country where we know they historically did not occur. The artist just drew crenelations like this, and no additional meaning is intended.
2) Specific architecture: this is what people think of when they look for possible candidates to identify the castle: the image is a "portrait" of a building that existed in the 15th century. Maybe the artist wanted to draw his city, or one he knew.
These are usually discussed in neutral terms, i.e. "this is what the building looks like". However, we also know that the so-called Ghibelline merlons were once a powerful political signal, and their appearance would have been far from neutral. Is it possible that some additional meaning was still meant in the 15th century? Since these merlons are some of the only connections we have between the VM and the real world, it might be worthwhile to investigate the possible extent of their meaning. I don't know much about this, so I'll start from the You are not allowed to view links. Register or Login to view.:
"The Guelphs and Ghibellines were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of central and northern Italy... During the 12th and 13th centuries, rivalry between these two parties formed a particularly important aspect of the internal politics of medieval Italy."
What remained of this division in the 15th century? There is not much on the wiki, but it is clear that the division was still somewhat relevant. For example as late as ca. 1447-1450 thier rivalry dominated politics in Milan. And ideological differences remained, where Ghibelline factions tended to support the Emperor, while the Guelphs supported the Pope and later also the French.
However, by the very end of the 15th century, the division had become obsolete.
The map gathering all our data is You are not allowed to view links. Register or Login to view..
There are broadly two ways we have generally tried to explain the presence of swallowtail merlons on the Rosettes foldout:
1) Generic architecture: the artist wanted to draw a crenelated wall and a castle, and in his mind this was what they looked like. We have seen examples of this in various manuscripts: swallowtail merlons on an anonymous wall in a manuscript about siege weapons, or in a country where we know they historically did not occur. The artist just drew crenelations like this, and no additional meaning is intended.
2) Specific architecture: this is what people think of when they look for possible candidates to identify the castle: the image is a "portrait" of a building that existed in the 15th century. Maybe the artist wanted to draw his city, or one he knew.
These are usually discussed in neutral terms, i.e. "this is what the building looks like". However, we also know that the so-called Ghibelline merlons were once a powerful political signal, and their appearance would have been far from neutral. Is it possible that some additional meaning was still meant in the 15th century? Since these merlons are some of the only connections we have between the VM and the real world, it might be worthwhile to investigate the possible extent of their meaning. I don't know much about this, so I'll start from the You are not allowed to view links. Register or Login to view.:
"The Guelphs and Ghibellines were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of central and northern Italy... During the 12th and 13th centuries, rivalry between these two parties formed a particularly important aspect of the internal politics of medieval Italy."
What remained of this division in the 15th century? There is not much on the wiki, but it is clear that the division was still somewhat relevant. For example as late as ca. 1447-1450 thier rivalry dominated politics in Milan. And ideological differences remained, where Ghibelline factions tended to support the Emperor, while the Guelphs supported the Pope and later also the French.
However, by the very end of the 15th century, the division had become obsolete.