| Welcome, Guest |
You have to register before you can post on our site.
|
| Online Users |
There are currently 545 online users.
» 1 Member(s) | 540 Guest(s)
Applebot, Bing, Google, Yandex
|
|
|
| Course in Cologne focusing on VMS |
|
Posted by: LisaFaginDavis - 19-08-2019, 03:14 PM - Forum: News
- Replies (42)
|
 |
Hi, everyone,
My thanks to everyone who has reached out to me in the wake of my piece in the Washington Post. The response has been very positive.
I don't know if you all have seen this, the website for a recent course at the University of Cologne focusing on the VMS:
You are not allowed to view links. Register or Login to view.
I particularly like the interactive timeline here:
You are not allowed to view links. Register or Login to view.
- Lisa
|
|
|
| f35r |
|
Posted by: Koen G - 18-08-2019, 09:34 PM - Forum: Imagery
- Replies (8)
|
 |
I haven't found much about You are not allowed to view links. Register or Login to view. on the forum, even though it is a remarkable plant. More so than others, it appears manipulated to match some desired shape, in this case a gold chalice. I've seen it being likened to a chalice before, but I think it's possible to analyze its various parts in a relatively coherent manner.
Naamloos-4 kopiëren.jpg (Size: 67.69 KB / Downloads: 132)
At the top we can see the green of the leaves, but the outside has been painted an even golden brown. There are also somewhat regular circular marks under the paint, but I can't quite make them out.
Naamloos-6 kopiëren.jpg (Size: 84.09 KB / Downloads: 142)
The stem and roots are streaked with red, which in my opinion links it to the golden chalice that caught the blood of Christ after the crucifixion. Comparison image from Wroclaw, 1443.
wroclaw.jpg (Size: 106.96 KB / Downloads: 121)
This leaves the problem of the strangely curved blue petioles (?) around the flower (?). One might just say "it's round so it's a host, which was also present at the last supper" but I think it's something else. I realized this after seeing this image bi3mw posted earlier: You are not allowed to view links. Register or Login to view.
Naamloos-5 kopiëren.jpg (Size: 45.85 KB / Downloads: 166)
The petioles form a "cloud" around the streaks and drops of red. The meaning seems clear: Holy Blood.
If the meaning of "blue=sky" is regularly employed, it might explain why such a disproportionate percentage of VM flowers (high on plant) are blue.
|
|
|
|
| Aardvark claw imagery 1v, 55v |
|
Posted by: Monica Yokubinas - 18-08-2019, 01:07 PM - Forum: Imagery
- Replies (4)
|
 |
The root system on You are not allowed to view links. Register or Login to view. reminded me of an animal and on the herbal from 1520's they have what looks like an You are not allowed to view links. Register or Login to view. on the root of the plant.
The same aardvark animal is used on the roots for You are not allowed to view links. Register or Login to view. in the 1520's herbal but was drawn as an aardvark claw on You are not allowed to view links. Register or Login to view.
So, begs the questions, are the plants poisonous?
Why the usage of an aardvark?
and what would this animal possibly mean to herbalogy or alchemy?
|
|
|
|
| Gioacchino da Fiore - Liber Figurarum |
|
Posted by: nablator - 16-08-2019, 11:55 AM - Forum: Imagery
- Replies (8)
|
|
One possible parallel that goes well with the idea of the You are not allowed to view links. Register or Login to view.: the symbolic trees in Liber Figurarum.
Quote:The Liber Figurarum is the most beautiful and important collection of the figural and symbolic theology of the Middle Ages. The "Figurae", conceived and drawn by Joachim of Fiore in different epochs, were collected in the Liber Figurarum soon after Joachim's death in 1202.
The complex and original prophetic thought of the Florensis Abbot, is perfectly illustrated in the figurae. It is based on the Trinitarian theology of history and on the concordist exegesis of the Bible. This masterpiece is well preserved into three wonderful codices: the Oxford codex, the Reggio Emilia codex and the Dresden codex. The reproductions exhibited in San Giovanni in Fiore, are taken from the Reggio Emilia codex, dated around the mid XIIIth century. The oldest manuscript is that of Oxford, produced between 1200 and 1230, by the Officina Scriptoria of a Calabrian monastery, probably the Abbey of San Giovanni in Fiore.
You are not allowed to view links. Register or Login to view.#
To summarize outrageously, Joachim of Fiore was a kind of New Age prophet.
Quote:He theorized the dawn of a new age, based on his interpretation of verses in the Book of Revelation, in which the Church would be unnecessary and in which infidels would unite with Christians. Members of the spiritual wing of the Franciscan order acclaimed him as a prophet.
You are not allowed to view links. Register or Login to view.
After his death, his ideas (but not his person) were condemned at the council of Latran IV (1215).
From the nicest manuscript:- REGGIO EMILIA, Biblioteca del Seminario Vescovile, You are not allowed to view links. Register or Login to view., ff. 1r-20v
tav2.jpg (Size: 256.3 KB / Downloads: 324)
It represents the tribes of Israel (10+2 lower branches) then the apostles (only 10 middle branches, curiously) then it gets a little confusing (popes?) and the second coming of Christ at the top.
An inverted eagle:
Aquila.png (Size: 415.4 KB / Downloads: 346)
In the other manuscripts, there are some variations in the number of branches in the trees.
- Dresden, Sachsische Landesbibliothek, You are not allowed to view links. Register or Login to view., ff. 87r-96v
- OXFORD, Corpus Christi College, You are not allowed to view links. Register or Login to view., ff. 4v-17v
- CITTÀ DEL VATICANO, Biblioteca Apostolica Vaticana, You are not allowed to view links. Register or Login to view., ff. 198r-204v
The closest in the VMS are You are not allowed to view links. Register or Login to view. and You are not allowed to view links. Register or Login to view. which are similar in structure: 2 groups of branches/leaves and 3 blue flowers at the top. If the intention is prophetic, what are these flowers? I don't know. The Three Christs of Ypsilanti? 
You are not allowed to view links. Register or Login to view. and You are not allowed to view links. Register or Login to view. have the mnemonic menorah base.
You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. all have 3 levels of similar leaves.
|
|
|
|
| Saint Barbara, baths, towers, and canons |
|
Posted by: arca_libraria - 15-08-2019, 08:23 PM - Forum: Imagery
- Replies (9)
|
|
When I joined the forum I mentioned that while I didn't have a theory or a solution, I did have a few pictures that I wanted to share because I thought I could see elements of design motifs from the VMS in there as well. I have searched to check that you haven't discussed these exact images before, but searches aren't always perfect so I'm sorry if some of you have seen and discussed these images before.
I want to show you a few images of illustrations and statues of Saint Barbara because I think her martyrology story has some interesting overlaps with the VMS themes. Saint Barbara is one of the early Christian martyrs and as with quite a few of the early Christian martyrs there's a fairly large gap (several centuries) between when she lived and when her name starts appearing in sources. By the later middle ages, she was a popular and established saint and her life follows some of the major tropes for early female martyrs namely, a Christian woman promised in marriage to a pagan man, she resists the marriage and is publicly humiliated/shamed/tortured, before being executed rather than marrying a pagan.
This summary of Barbara's Life is from wikipedia but the details are broadly correct
Quote:According to the hagiographies, Barbara, the daughter of a rich pagan named Dioscorus, was carefully guarded by her father who kept her locked up in a tower in order to preserve her from the outside world. Having secretly become a Christian, she rejected an offer of marriage that she received through her father.
Before going on a journey, her father commanded that a private bath-house be erected for her use near her dwelling, and during his absence, Barbara had three windows put in it, as a symbol of the Holy Trinity, instead of the two originally intended. When her father returned, she acknowledged herself to be a Christian; upon this he drew his sword to kill her, but her prayers created an opening in the tower wall and she was miraculously transported to a mountain gorge, where two shepherds watched their flocks. Dioscorus, in pursuit of his daughter, was rebuffed by the first shepherd, but the second betrayed her. For doing this, he was turned to stone and his flock was changed to locusts.
Dragged before the prefect of the province, Martinianus, who had her cruelly tortured, Barbara held true to her Christian faith. During the night, the dark prison was bathed in light and new miracles occurred. Every morning, her wounds were healed. Torches that were to be used to burn her went out as soon as they came near her. Finally, she was condemned to death by beheading. Her father himself carried out the death-sentence. However, as punishment, he was struck by lightning on the way home and his body was consumed by flame.
Barbara is sometimes associated with bath-houses because it was the modification of the bath house that led to her demonstration of faith. She is also associated with canons and artillery because some of her torturers were struck by lightning when they tried to harm her. The major attributes that you see her with in medieval art are a tower/bath-house, a canon, and a chalice. If she is depicted with a tower then sometimes it is much larger, behind her, and in the distance, but in some images it is a small tower that she holds or is about knee-high beside her. I think the canon and the chalice shapes have a certain amount of similarity with the "pharmacological" section (ff. 88r–89v2, 99r–102v), and the bathing connection is self-explanatory, and so I just wanted to know if any of you can see any similarity, or if this is a case of me seeing something because I think it's there.
Barbara in a Polish altarpiece of 1447 ![[Image: 315px-Wilhelm_Kalteysen_-_Saint_Barbara_...roject.jpg]](https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wilhelm_Kalteysen_-_Saint_Barbara_Altarpiece_-_Google_Art_Project.jpg/315px-Wilhelm_Kalteysen_-_Saint_Barbara_Altarpiece_-_Google_Art_Project.jpg)
Barbara in a Spanish altarpiece c. 1410–1425 You are not allowed to view links. Register or Login to view.
Barbara in an English stained glass window c. 1450 ![[Image: main-image]](https://collectionapi.metmuseum.org/api/collection/v1/iiif/467904/946563/main-image)
The Hague, KB, MS 76 F 7, 31v ![[Image: resolve?urn=BYVANCKB:mimi_76f7:031v&role=thumbnail]](http://resolver.kb.nl/resolve?urn=BYVANCKB:mimi_76f7:031v&role=thumbnail)
The Hague, KB, MS 76 F 30, 17v ![[Image: resolve?urn=BYVANCKB:mimi_76f30:017v&role=thumbnail]](http://resolver.kb.nl/resolve?urn=BYVANCKB:mimi_76f30:017v&role=thumbnail)
The Hague, KB, MS 133 B 13, 98r ![[Image: resolve?urn=BYVANCKB:mimi_133b13:098r&role=thumbnail]](http://resolver.kb.nl/resolve?urn=BYVANCKB:mimi_133b13:098r&role=thumbnail)
Austria, Kunst Historiches Museum, Wien (Bohemia, c. 1470?)
Wien Kunst Historiches Museum Madonna and Child small.png (Size: 668.98 KB / Downloads: 301)
tl;dr does anyone think it might be worth pursuing a connection between Saint Barbara and her association with bath houses, artillery, and chalices, and the iconography of the VMS and particularly the chalice and canon/tower? shaped objects (with water for bathing in on top?) in the "pharma" section?
|
|
|
|
| Article on the VMS by Lisa Fagin Davis in the Washington Post |
|
Posted by: arca_libraria - 14-08-2019, 05:56 PM - Forum: News
- Replies (4)
|
|
I follow Lisa Fagin Davis on twitter and earlier today she tweeted that she had written a piece in the Washington Post about the VMS and all the people who try to solve it:
You are not allowed to view links. Register or Login to view.
I think it's a really interesting and well written piece and might perhaps even signal her opinion of one or two of the potential solutions that haven't been made fully public yet.
|
|
|
|
| The meaning of the rosettes folio, the Voynich MS and everything |
|
Posted by: ReneZ - 13-08-2019, 03:32 PM - Forum: Imagery
- Replies (20)
|
 |
(No the answer won't be 42 or 56. More like 8).
OK, please all be aware that the following is speculation. I like it but it may very well be completely wrong.
This links the meaning of the rosettes diagram to the rest of the book, and gives a tentative explanation what was the purpose of the book.
Looking at the centre there are, what I considered before, six tower-like objects carrying the sky. I changed my mind on that. In the present interpretation, I propose that these are medicine containers. Just like in the pharmaceutical / small plants section.
[Of course, there are also much simpler containers there, but I could imagine that the book could include low-quality or cheap medicine in these, and high-quality or expensive medicine in the elaborate containers. That isn't critical. My suggestion is that the entire diagram illustrates where the power of this medicine comes from].
The sky above the containers is the sky or the universe, through which the medicine receives its power. This power is transmitted through the sky via eight channels from eight sources. These are the outer circles, which all have some pipes or other connectors that transmit whatever power it is they have.
In that sense, the figure as a whole may be closely related to f68v3 , the so-called spiral galaxy, which also shows eight channels connecting the earth (T-O map) with the sky/universe. If only we could read the text in these eight channels.
One of the eight influences seems to be Earth (upper right). Another interesting one is in the upper left corner, which looks a lot like the plant of You are not allowed to view links. Register or Login to view. . The four circles that are not in the corner are similar to some individual diagrams in the cosmo section, and I have no idea of course what they represent. It could be quite a weird cosmology that the author had put together.
As a whole, this could suggest that this picture puts together why the medicine of the owner of the book is superior. (Especially the expensive stuff in the fancy bottles). Who knows he really was selling concoctions in such flasks.
The remainder of the sections in the MS would have their expected meaning, explaining the individual herbs, the way the composites are combined, the astrology needed for calculating the day and time to take the medicine, and possibly the incantations / spells to recite, at the end of the book.
Oddly enough, this could work both in case the MS has a meaningful text, or in case it is a medieval hoax.
So it would be nice if some evidence was found of a late medieval quack who was selling medicine in such fancy bottles.
|
|
|
|
|
![[Image: p52r.jpg]](http://voynich-manuskript.de/ms408/fileadmin/templates/voyim/p52r.jpg)