Intro
I was commented towards the fact that i was polluting a thread, and yes that was true,
but most things i write seem not really interesting to others, so i thought it would be just a few lines in between,
but since there is more to tell about ANGELICA i made this new thread.
The problem
I asked: (see You are not allowed to view links. Register or Login to view.)
i need to know if anyone also have matches for angelica, angelicus ? I stumbled upon a possible translation yesterday in the VMS, but the drawing of that herb does not resemble the You are not allowed to view links. Register or Login to view.at all.
The answers
Already many answers were given (thank you!)
Angelica silvestris (A. 74)
Quote:MarcoP:
You are not allowed to view links. Register or Login to view. number 74 (or type angelica in the forum search box at the top right)
Angelica plants are also in the Vienna Cadmosto images 26 (Angelica) and 30 (Arca angelica - Angelica Archangelica L.).
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Quote:Angelica or archangelica, a very popular and fragrant herb with a large root.
Quote:JKP From the Treat and Taste herbs blog:
"There are over thirty varieties of angelica but the one that is recognized for its medicinal qualities in Germany, Switzerland and Austria is archangelic. There are many stories surrounding its name but it certainly was used in pagan festivals, as there is a festival in parts of Germany when villagers go into towns carrying angelica stems and singing in a long-forgotten language words learned in childhood, but not understood even by the singers any more."
From the Journal of Nutrition, Pharmacology, Neurological Diseases:
"This herb [Angelica archangelica] blooms about May 8, (old calendar), St. Michael's feast day, and is so named in his honor. Even though this herb is named in honor of a Christian angel many Angelica Festivals are held in Livonia, East Prussia, and Pomerania, and celebrated in a pagan manner, with dance and chanting of ancient ditties in languages no longer understood."
From Rodale's encyclopedia:
“...chanting ancient songs whose words they do not understand. Is this a holy ritual gone pagan? Is it a tradition maintained since pre-Christian times? If they know the words to the songs, why don’t they know what they mean?”
Apparently someone has come up with a Voynich-themed room escape game...
The title of the challenge is "Decipher the Voynich".
The players must gather documents and solve the puzzle.
They have one hour.
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I take this opportunity to reveal my latest work on deconstructing the Voynich Manuscript text words and label words.
It shows the results when my proposed system, code group tables and sequence are used for deconstructing the more than 2,000 words that appear twice or more in the VMS.
12 of the repeated VMS words do not deconstruct as I envision and show.
The results are at:
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Notice that many of the individual codes in Groups II through V! are often either the only representative(s) of those code.glyph(s) to be found in any of those groups, or, if duplicates or triplicates, often separated by one or more intervening groups (thus making them easier to identify). On close examination, the groups should be found to be very different from one another. Slightly more than a total of 400 codes are used to deconstruct the 2,000+ words.
The duplicates and triplicates were what made me have to figure out the sequence of deconstruction - without a consistent deconstruction sequence, duplicated codes in VMS words might be arbitrarily assigned (by the person doing the deconstruction) to the wrong group.
I think many of the remaining single-appearance words can also be deconstructed using the same system, code group tables and sequence.
Please also notice that no glyphs are added, changed, left out, moved, or exchanged for other glyphs - such changes seem to be unnecessary.
I encourage others to offer any reasoning they may be able to think of as to why almost all of the repeated VMS words seem to deconstruct in this manner. Or to check my work and results.
You are not allowed to view links. Register or Login to view. was a Benedictine monk at the St. Sebastian monastery in Ebersberg (Bavaria).
In 1479 he wrote an illustrated herbal, now You are not allowed to view links. Register or Login to view..
This paper by Otto Kostenzer (You are not allowed to view links. Register or Login to view.) provides identifications of the 198 plants illustrated in the herbal. If I understand correctly, these identifications were proposed in a 1925 study by Hermann Fischer.
We discussed Auslasser's herbal in You are not allowed to view links. Register or Login to view.. As Helmut Winkler pointed out in that thread, there are German books that discuss this manuscript in detail.
Here is the list of the identified plants with links to the digital images. Unluckily, copying from the PDF caused a number of errors: I tried to correct them, but likely there are still a few. It would of course be interesting to also have a transcription of the several different names listed by Auslasser for most of the plants, but I don't think such a list is available online.
You are not allowed to view links. Register or Login to view. Asarum europaeum L. "Ciclamas"
You are not allowed to view links. Register or Login to view. Pirola rotundifolia L.
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You are not allowed to view links. Register or Login to view. Pirola rotundifolia L.
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You are not allowed to view links. Register or Login to view. Polygonatum verticillatum Allioni
You are not allowed to view links. Register or Login to view. Polygonatum multiflorum L. "sigillum Sanctae Virginis, helleborus albus"
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You are not allowed to view links. Register or Login to view. impatiens noli tangere L.
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You are not allowed to view links. Register or Login to view. Iris germanica L. "Lilium celeste"
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You are not allowed to view links. Register or Login to view. Piatanthera bifolia L.
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You are not allowed to view links. Register or Login to view. Plantago maior L. "Arnoglossa, agniglossa"
You are not allowed to view links. Register or Login to view. Plantago media L. "Plantago minor, lanceolata"
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You are not allowed to view links. Register or Login to view. Potentilla tormentilla L. "Tormentilla"
You are not allowed to view links. Register or Login to view. Polygonum bistorta L. "Serpentina, colubrina, basilisca, alabardon, dragontea"
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You are not allowed to view links. Register or Login to view. Bidens tripartitus L. "crescet in paludibus [grows in marshes]"
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[Edit KG: this was originally a reply to this post You are not allowed to view links. Register or Login to view., but these posts have been split off by popular demand]
Davidsch,
The detail you describe as a fleur-de-lys is easy to read that way, and at first I thought so too, but such a reading is difficult to maintain because - as as with all emblemata - an interpretation has to be consistent with all other details, and in this case, the figure wears a garment of a cut which combines a neck-band of lighter colour with a side opening which runs close by the right armpit, and which apparently joins with knots, or perhaps frogged buttons (i.e. ones made by knotting cord into a button). Those things are characteristic of Asian style, and the quarter which the figure occupies appears, again, to be the eastern, or perhaps the north-eastern. (this assignment after investigating each of the other three in some detail).
Given the dates for the vellum and so forth, I concluded that the dress - including the head-wear - was a reference to the Mongols, (comparative images provided) and thus that the thing which strikes us as being like the European 'fleur-de-lys' wasn't meant for that, but for an emblem used on some coins of the Mongol period, within the same region to which traders and papal emissaries and others went from mainland Europe during the 'Mongol century'.
One commentator even speaks of it (the emblem being a calligraphic version of a tamgar) as looking "Like a graceful fleur-de-lys".
In writing up this matter, I added an image of that coin and of the costume, including the peculiar head-band, so that readers would see that all the details in that little vignette are telling of time and place.
The coin I illustrated dates to 1252-3 AD.
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I recently saw some 1975 (?) works by Gennady Pavlishin, an illustrator from Eastern Russia. I find his You are not allowed to view links. Register or Login to view. interesting, I guess they are derived from older models. In particular, I find the symmetrical roots of You are not allowed to view links. Register or Login to view. somehow similar to the (simpler and more symmetric) decorative plants You are not allowed to view links. Register or Login to view..
Does anybody have links to actual ancient illustrations of plants from Russia? I guess that manuscript herbals must have existed in Russia as well.
Other parallels for the roots of f2r?
At present i take keen interest in the medieval history during period 1390-1440
In some postings there was some interesting information about countries, movements of people, persecutions, kings, deaths, inventions etc.
And the suggestion made to open a new thread on history or maps was a good one.
Here we could collect information that is specific for that period.
Let me start by mentioning:
wikipedia You are not allowed to view links. Register or Login to view.
wikipedia You are not allowed to view links. Register or Login to view.
etc..
maps of the period: You are not allowed to view links. Register or Login to view.with maps (tuscany herbal thread) and You are not allowed to view links. Register or Login to view.
Yesterday and today i did research on the You are not allowed to view links. Register or Login to view. because this is very interesting, for the:
* location inside Italy in the hills
* small community dated back to year 301
There are some thin similarities with the pictures in the VMS. The crenelations (rosette page), the castle on a rock (rosette page), crossbow-man already existed way back.
I thought i would find a special language or a reference of such, because it is typical for an old and small community.
However i did NOT find specific language references and i did NOT find ANY manuscript from medieval times that refers to this country.
I find that very striking and strange for a country that is so well organized and exists so long.
Where are those manuscripts hidden?
The neural network of the human brain is the Jungle Book.
I must say thatthis manuscript containsthe encoding ofmental imagesin the brain, which, somehow, define somefunctions of the human body, let's call thembinaryoptions. The neural networkof the brainis divided intofour sectorsA, B, C,D. The mind isvice versa, i.e.,the account goesfrom left to right...
Asector – responsible for the functioning of the body. Sector B- isthe identity of the person. SectorC, D – fora lifetime.
Figure1 shows amoney tree. The tree itselfisthe brain. Three branches – three branchesof the neural networkof the brain.Green leaves, the least significantbits. Brownleaves - about... the Numbers3and1determines the order of accountsbit. White flowerisdamaged areasof the brain,with which it is impossibleto read information.
The encrypted textencoding whichallowson the basis of theneural networksof the brainto createtwo virtual machines. I.e.to split myself.
The elementary processorof a brainis acube, where thedancingphotons. The colour of the four facesof the cubedeterminesits state.Only 16colors. Andeach colorinthe binary systemyou can represent4-bitcode combination.Example:10110110or0000or...
Let's look atone more pictureof the VOYNICH Manuscript. It depicts the flowerof Kalanchoe. Andpay attention to the root.We see threeof the Appendixof mine. Looking atFig. 3it becomes clear thatin Fig. 2 showsthe codingthat allows you to organizethe bridgebetween two virtual machinesobtained by dividingmyself.
1000 1111 0000 0010 0000 0110 0000 0010 0010 0111 1100 1011 0100 0010 0010 0010 1011 1000 0010 0010 1011 0010 1011 0100 0010 0010 0000 0010 0100 0010 0010 0111 1100 0010 0010 1011 1000 0010 0000 0110 0000 0010 0000 0010 0100 1011 0100 1000 1011 0100 0010 1000 1010 1110 1000 1011 0100 1011 0000 1100 On the last pageof the VOYNICH manuscript(Fig. 4) we seethe numbers7484. This is a test. The number of4-bitcode combinations(CC) in the encodingshoulddivided by 4without a remainder. Andthe result of the divisionmust beeither 7 or8or7+8=15.
Soin the encodingKalanchoe isthe number of4-bitСC (N4) is 60.And60/4=15 Encodedmoney treeN4=28. And28/4=7. And check for odd parity. I.e.the number1in the encodingsmust be odd. Soin our example,quantity 1 = 85, in the money tree = 47.
Надо сказать, что в данной рукописи содержатся кодировки ментальных образов головного мозга, которые, так или иначе, определяют некоторые функции человеческого организма, назовем их бинарными опциями.
Нейронная сеть головного мозга делится на четыре сектора A, B, С, D.
Ум – это ничка, т.е. счет идет слева направо…
Сектор A – отвечает за функционирование организма.
Сектор B – это личность человека.
Сектор C, D – за продолжительность жизни.
На рисунке 1 изображено денежное дерево. Само дерево – это головной мозг. Три ветки – три сектора нейронной сети головного мозга. Зеленые листочки, значащие биты. Коричневые листочки - ложные... Цифры 3 и 1 определяют порядок счета бит. Белый цветок – это поврежденные участки головного мозга, с которых нельзя считать информацию.
В тексте зашифрована кодировка, которая позволяет на базе нейронной сети головного мозга создать две виртуальные машины. Т.е. расколоть Я.
Элементарным процессором головного мозга является куб, в котором пляшут фотоны. Цвет четырех граней этого куба определяет его состояние. Цветов всего 16. И каждый цвет в двоичной системе счисления можно представить 4-х битной кодовой комбинацией. Например: 1011 или 0000 или 0110…
Давайте рассмотрим еще одну картинку из Манускрипта ВОЙНИЧА. На ней изображен цветок каланхоэ. И обратим внимание на корень. Мы видим три отростка с минами. Посмотрев на рис. 3 становится понятно, что на рис. 2 приведена кодировка, позволяющая организовать мост между двумя виртуальными машинами, полученными при делении Я.
На последней странице манускрипта ВОЙНИЧА (рис. 4) мы видим цифры 7484. Это проверка. Количество 4-х битных кодовых комбинаций (КК) в кодировке должно делится на 4 без остатка. А результат деления должен быть либо 7, либо 8 или 7+8=15.
Так в кодировке каланхоэ количество 4-х битных КК (N4) равно 60. И 60/4=15
В кодировке денежное дерево N4=28. И 28/4=7.
И проверка на нечетность. Т.е. количество 1 в кодировках должно быть нечетным.
Так в нашем примере количество 1 = 85, в денежном дереве = 47.