21-05-2026, 04:31 PM
Yes, that's correct, but I just want to clarify what I'm actually doing—in terms of structure—and this post was already quite long. 
As I wrote above, this sequence assumes that every consonant is a bigram. But gallows and certain other glyphs (o/a) are probably not bigrams, but single letters, and then the 2, 4, 6, etc. division immediately becomes invalid.
And exactly, there are also 1-glyph tokens, 2-glyph tokens, etc. These are necessary because not all words are structured as CCVVCC; there are also words with VVCCVV, etc. When two vowels meet across a word boundary, it gets tricky. Or when consonants (which is possible in German) form very long clusters, you need these 1/2-glyph switches, because otherwise the rhythm is broken. That would explain her unusually frequent appearances very well!
And of course, the overall distribution is still difficult, including the very wide spread of the VMS. But I’m making progress there—though you can only make progress if you base it on a language. I don’t know if it’s Bavarian.... that’s still just a guess. Some small details actually fit Latin slightly better, but overall, Middle High German fits quite well.
But, as I said, that’s not the point right now. I’m trying to illustrate this inverse perspective on the VMS to make it clear that the VMS might simply need a change of perspective—if it hasn’t been solved yet. And this is one such perspective; it might not be the right one, but it shows that there are other ways of looking at the world.
And I think that’s crazy enough...
As I wrote above, this sequence assumes that every consonant is a bigram. But gallows and certain other glyphs (o/a) are probably not bigrams, but single letters, and then the 2, 4, 6, etc. division immediately becomes invalid.
And exactly, there are also 1-glyph tokens, 2-glyph tokens, etc. These are necessary because not all words are structured as CCVVCC; there are also words with VVCCVV, etc. When two vowels meet across a word boundary, it gets tricky. Or when consonants (which is possible in German) form very long clusters, you need these 1/2-glyph switches, because otherwise the rhythm is broken. That would explain her unusually frequent appearances very well!
And of course, the overall distribution is still difficult, including the very wide spread of the VMS. But I’m making progress there—though you can only make progress if you base it on a language. I don’t know if it’s Bavarian.... that’s still just a guess. Some small details actually fit Latin slightly better, but overall, Middle High German fits quite well.
But, as I said, that’s not the point right now. I’m trying to illustrate this inverse perspective on the VMS to make it clear that the VMS might simply need a change of perspective—if it hasn’t been solved yet. And this is one such perspective; it might not be the right one, but it shows that there are other ways of looking at the world.
And I think that’s crazy enough...