15-03-2026, 09:42 AM
In the Voynich script there are e, ee, eee, eeee, and also ch, sh, s and also the pedestal gallows with the same shape underneath.
It seems that whoever designed the glyphs had little imagination or, on the contrary, repeated shapes because they were following a clear idea in their mind. If the prejudice of searching for a language in the Voynich did not exist, and its important astrological content were taken into account, it would be clear that what the designer of those glyphs had in mind was the path of the moon and its different positions in its orbit, in its journey along the ecliptic.
The benches are two joined e because they represent the moon's position in major astrological aspects, one for each hemisphere. And in the pedestal gallows, the moon is below the sun.
It seems that whoever designed the glyphs had little imagination or, on the contrary, repeated shapes because they were following a clear idea in their mind. If the prejudice of searching for a language in the Voynich did not exist, and its important astrological content were taken into account, it would be clear that what the designer of those glyphs had in mind was the path of the moon and its different positions in its orbit, in its journey along the ecliptic.
The benches are two joined e because they represent the moon's position in major astrological aspects, one for each hemisphere. And in the pedestal gallows, the moon is below the sun.