Voynich Decoded

[Kris1212]

Some of you may remember my early posts about the symbolic structure of the Voynich glyphs. At the time I’d developed what became Refinement 1 of the decode key. After that, I withdrew and continued the work independently.
A major part of that work is now complete, and it has revealed more.
Refinement 4 is now published on Academia. It includes:

• All 22 glyphs — the rare forms v and z are still under analysis; the rest are fully defined
  
• Procedural and harmonic architecture linking to Neoplatonism and the Music of the Spheres
  
• Planetary tone structure (f p t k) as modal anchors — the gallows glyphs, which only ever appear between ch
  
• Elixir system, spiritus, vital fluid, and full solar cycle logic
  
• Fully decoded folios with harmonic and ritual layering — You are not allowed to view links. Register or Login to view. to f3v, plus 6 from earlier work (11 in total; more in progress)
  
• A proposed authorship link to Lucrezia Tornabuoni, with ties to the Santa Maria Novella apothecary through her brother, Giovanni Tornabuoni
  
• The 9-radial diagram (f85r2) decoded as a geothermal thermal water map, corresponding to Bagno al Morbo and Volterra — currently undergoing further mapping and research
  
• Zodiac radial charts now understood as treatment guides by star sign
  
• Zodiac radial images of threads topped with stars represent spiritus — the tether from the ritual subject to the cosmos
  

The code has not broken under testing — it has strengthened. I would love someone to show me where it doesn’t work.

The system is not a language — and cannot be one.
No natural language permits constructs like eeee, iiii, or oooooooo.
But in a harmonic, symbolic system governed by procedure and cycle? They make perfect sense.

You don’t have to believe it, but you’re invited to test it. All spreadsheets are available, and the system works. I welcome genuine engagement — including reasoned challenge.

I’m currently working with an Italian music professor from Milan who’s reviewing the harmonic structure. He’s already noted musical coherence in the gallows glyphs, modal pauses, and beat timing.

You’re welcome to share this work for discussion. You are not welcome to alter, distort, or ridicule it. 

Full papers are on my Academia with links to the google drive of all the data, this is being updated daily
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Google drive link You are not allowed to view links. Register or Login to view.

also a website which is new and still under construction.  
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