07-05-2025, 04:31 PM
If the linguistic prejudice were not so great, I think that certain features that do not fit with phonetics could be clearly seen. It has already been said that the most common glyphs do not seem sufficient to support the sounds of a language, but the problem is even greater. There are approximately 100 rare glyphs in the Voynich that don't form the main body of the script. What do we do with them?
In an iconic system like the one I propose, these unusual glyphs could fit. In my theory of VM, the most common glyphs represent celestial objects moving along the ecliptic. The so-called words would be nothing more than the positions of these objects. The rare glyphs could be images of the movement of the stars or astrological features that are not relevant to constructing the system.
This all sounds strange, but it's best understood with an example. I believe benched gallows are a representation of the moon beneath the sun at the same degree, i.e., the new moon. There is a rare glyph that fits another [c] into the space below, which may represent the transit of the moon.
In an iconic system like the one I propose, these unusual glyphs could fit. In my theory of VM, the most common glyphs represent celestial objects moving along the ecliptic. The so-called words would be nothing more than the positions of these objects. The rare glyphs could be images of the movement of the stars or astrological features that are not relevant to constructing the system.
This all sounds strange, but it's best understood with an example. I believe benched gallows are a representation of the moon beneath the sun at the same degree, i.e., the new moon. There is a rare glyph that fits another [c] into the space below, which may represent the transit of the moon.