No text, but a visual code

[Antonio García Jiménez]

I think a good method of approaching the Voynich script is to reflect on the shape of the glyphs chosen by the authors of the codex. Why do they have that shape and not another? 

Why are there glyphs that are repeated up to three times and others are not, why are there glyphs that maintain a certain symmetry, why are there others with a similar shape that complement each other, why  this obsession with the symbol [c], why the glyph [o ] can be omitted?

All these questions and more should be prior to any transliteration of the glyphs into letters of the alphabet.