No text, but a visual code

[Antonio García Jiménez]

I will leave the iconography and I will talk now about the script. For me they are aspects of the VM that cannot be separated because they correspond to each other. That's why I speak indistinctly of one or the other.

The script glyphs are not arbitrary. The author has chosen them because their shape is significant. Understanding this is essential because the script is a succession of strings of glyphs that represent a reality. They are visual, not pronounced like words.

Gallows or benched gallows have this strange shape because they allude to a spatial reality. Its referent is astronomical. I know it's hard to see this, but I would like you to reflect on why the author has chosen the glyph that looks like the letter c and repeats it two cc and three times ccc or joins two c's at the top or puts them under the gallows.