28-12-2018, 09:43 PM
I would like to explore an idea of Emma and Marco about the glyph (EVA-sh) and the different shapes of its plume or topstroke. Emma wrote that a word ending (EVA-e) looks like it is missing something from the end and that something seems to have been moved over to the (sh). She calls this an insight or a feeling.
JKP wrote that not only is important the several forms of the plume or cap, but also the way it is connected with (ch), an idea shared by Anton and Wladimir who said that the attachment point matters.
For me the symbol (sh) is one of those which express well the idea of movement. Like the arrow (q) going up to the left leg of (t) or (p), like the one (i), two (ii) and three (iii), or the same with (e), (ee), (eee), like the (ch) next to the gallows moving below them. All the script is moving. This is an essential idea: the string of glyphs moves. And it moves because it was generated with a Volvelle with at least three rotatory discs. It does not move at random but following some rules. I think they are some rules of the movements in the sky.
JKP wrote that not only is important the several forms of the plume or cap, but also the way it is connected with (ch), an idea shared by Anton and Wladimir who said that the attachment point matters.
For me the symbol (sh) is one of those which express well the idea of movement. Like the arrow (q) going up to the left leg of (t) or (p), like the one (i), two (ii) and three (iii), or the same with (e), (ee), (eee), like the (ch) next to the gallows moving below them. All the script is moving. This is an essential idea: the string of glyphs moves. And it moves because it was generated with a Volvelle with at least three rotatory discs. It does not move at random but following some rules. I think they are some rules of the movements in the sky.