Welcome, Guest |
You have to register before you can post on our site.
|
Online Users |
There are currently 289 online users. » 2 Member(s) | 283 Guest(s) Applebot, Bing, Google, Yandex, Mark Knowles
|
Latest Threads |
List of "weird" vords
Forum: Analysis of the text
Last Post: Mauro
6 hours ago
» Replies: 25
» Views: 2,134
|
Month names collection / ...
Forum: Marginalia
Last Post: Koen G
9 hours ago
» Replies: 74
» Views: 2,228
|
I've deciphered the Voyni...
Forum: Voynich Talk
Last Post: Mauro
Yesterday, 02:24 PM
» Replies: 7
» Views: 426
|
Planetary Root Assignment...
Forum: Analysis of the text
Last Post: Mauro
Yesterday, 11:02 AM
» Replies: 6
» Views: 236
|
Switch System
Forum: Analysis of the text
Last Post: dashstofsk
Yesterday, 10:23 AM
» Replies: 24
» Views: 3,234
|
Which plaintext languages...
Forum: Analysis of the text
Last Post: Jorge_Stolfi
Yesterday, 06:12 AM
» Replies: 36
» Views: 3,405
|
Should we have a thread t...
Forum: Voynich Talk
Last Post: Hider
20-06-2025, 04:41 PM
» Replies: 56
» Views: 10,366
|
Critique wanted
Forum: Voynich Talk
Last Post: Koen G
20-06-2025, 10:15 AM
» Replies: 21
» Views: 594
|
Pisces (Folio 70v) and th...
Forum: Astrology
Last Post: R. Sale
19-06-2025, 06:17 PM
» Replies: 35
» Views: 4,772
|
The Canary islands
Forum: Provenance & history
Last Post: Cile cile
19-06-2025, 02:55 AM
» Replies: 12
» Views: 1,266
|
|
|
Syllables at the end of a line in VMS |
Posted by: bi3mw - 12-10-2023, 06:12 PM - Forum: Analysis of the text
- Replies (20)
|
 |
In the VMS the lines very often end so nicely that one could assume that the last words of a line could be "filler words". If this is so, the last words thus only consist of "character salad", then this could have an effect on whether syllables occur in it and, if so, whether this occurrence deviates in the frequency from other comparison texts. Therefore I counted the syllables in the last word of each line and put them in relation to the total number of lines. The value in the (latin mapped ) VMS deviates very clearly from the Italian divina commedia and the Latin Bible. I would have liked to take the Ackermann (ger) in addition, but unfortunately the text is available to me only reformatted. I would be grateful for links to other, useful comparison texts.
Here are the results in detail:
Dante Alighieri: La divina commedia (ita)
Total letters and spaces: 530871
Total syllables: 161284
Syllable percentage: 30.381015350%
Average syllables per word: 1.651214218
Total syllables in last words of lines: 34805
Average syllables per line ( last words ): 2.427296185
Part of the Bible: Latin Vulgate (lat)
Total letters and spaces: 1252196
Total syllables: 397977
Syllable percentage: 31.782324812%
Average syllables per word: 2.095453971
Total syllables in last words of lines: 24565
Average syllables per line ( last words ): 2.174086202
Voynich Manuscript: (alphabet mapped to latin)
Total letters and spaces: 234658
Total syllables: 55220
Syllable percentage: 23.532119084%
Average syllables per word: 1.457530486
Total syllables in last words of lines: 7528
Average syllables per line ( last words ): 1.442974890
The link to the code:
You are not allowed to view links. Register or Login to view.
|
|
|
Experiment: how would you transliterate the following glyphs? |
Posted by: Koen G - 08-10-2023, 08:24 PM - Forum: Analysis of the text
- Replies (29)
|
 |
Below is an image of 16 numbered glyphs, all taken from the main text of the VM. All I did was isolate the glyphs from two folios which were by the same scribe, same section (I would have used one folio, but two gave me just a bit more to work with). My question is simple: how would you transliterate these glyphs? Do you draw a line somewhere? One, two, three... different ones? How do you decide between one glyph and the other? Not that I put them in a rough order evolving from one extreme to the other, but that doesn't mean they are necessarily neatly grouped per type.
Rules:
* No need to use EVA, you can invent your own system if you wish.
* Most importantly, the aim is not to capture every possible different stroke, but rather to represent each glyph you think is intended to be the same one by the same letter. For example, if you think glyphs 1, 2 and 3 are meant as the same letter and the rest is meant as a different letter, you can write: "A, A, A, B, B, B, B..."
* DO NOT look at any websites or existing transliterations. Just use your own intuition. It doesn't matter whether you're familiar with any existing systems or not.
* There is most definitely no right answer. I don't know the answer, and I'm pretty sure nobody does. I just want to find out how different people would tackle this problem.
* PM me your answer. Even if you use spoiler tags here, people will peek. Please participate, because the more answers I get, the more informative this will be.
I will just leave this clip from You are not allowed to view links. Register or Login to view. here to cause some confusion, no need to transcribe that.
Untitled-5 copy.jpg (Size: 11.7 KB / Downloads: 727)
|
|
|
Small Plant Text Labels |
Posted by: Mark Knowles - 07-10-2023, 05:45 PM - Forum: Imagery
- Replies (9)
|
 |
I am interested in the labels next to the small plants which I intend to use in conjunction with the matching information for textual comparison. So, for example, to compare the text against a root with the matching text against a leaf. I think there is also some scope for comparing herbal paragragh text with the labels of matching small plants. In addition comparison with small plant paragraph text may be of interest.
|
|
|
Ordering large-plant bifolios in accordance with pharma section? |
Posted by: Koen G - 02-10-2023, 08:21 PM - Forum: Imagery
- Replies (4)
|
 |
I'm making a separate thread specifically fot this question, since in Mark's thread a lot is being handled at once. This is the question I personally find the most fascinating right now, though others are of course welcome to explore different facets (e.g. label matching) in the other thread or a separate one.
A first thing I have noticed (probably been noticed before) is that the following bifolios could be nested, from outside to inside:
1-8
37-36
18-23
47-42
This would result in a lot of the strongest, most obvious resemblances from You are not allowed to view links. Register or Login to view. to be somewhat grouped together: You are not allowed to view links. Register or Login to view. - You are not allowed to view links. Register or Login to view. (I think this may have been a new discovery by Mark) - f37v - You are not allowed to view links. Register or Login to view. follows without clear match - You are not allowed to view links. Register or Login to view. - You are not allowed to view links. Register or Login to view. without clear match - You are not allowed to view links. Register or Login to view. - You are not allowed to view links. Register or Login to view. and You are not allowed to view links. Register or Login to view. without clear match - You are not allowed to view links. Register or Login to view. - then the rest follows without clear match: You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view. , You are not allowed to view links. Register or Login to view.
All of these bifolios are Herbal A, scribe 1. This suggests that the later ones are indeed out of place. The suggested nesting would bring a large amount of recurring roots together with just a few other plants in between.
It is possible that more bifolios should be nested. In Q20 it went up to 7, apparently. I'm still puzzling further, juggling these bifolios requires quite a bit of concentration. I am not sure if this will lead to anything else, or if it's all a coincidence, but the fact that they can be grouped and this action pulls back some wayward Herbal A folios is a bit encouraging.
Link to our Drive doc for easy access: You are not allowed to view links. Register or Login to view.
|
|
|
Italian cloudbands |
Posted by: R. Sale - 02-10-2023, 07:52 PM - Forum: Imagery
- Replies (7)
|
 |
Investigations of historical use of the illustrated cloudband (Wolkenband) as an artistic element have opened new aspects in VMs research, and the VMs examples in particular either use or are based on the pattern of a nebuly line.
Italy is a location favored by various investigators as a probable place of origin for the VMs.
What is the evidence for cloudbands in Italian art? Here is a small sample of illustrated sources and there is *nothing* line a nebuly line among them. Meanwhile there is evidence of another interesting 'cosmic boundary' phenomenon, which would be the "golden rays" version. Also showing the 'plain line' version of a cosmic boundary, where the comparable Harley 334 is also a later example.
You are not allowed to view links. Register or Login to view.
Are there Italian examples of cosmic boundaries that use a nebuly line pattern before 1450?
|
|
|
|