Yesterday, 05:58 PM
I've been looking at Francesco di Giorgio again who was heavily influenced by Taccola a few decades later in Siena, so arguably too late for Voynich unless he had a stack of vellum lying around, and we see some very interesting things .. giving strong Rosettes vibes..
He's been mentioned a few times here and there but I couldn't find reference to this Manuscript
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He's been mentioned a few times here and there but I couldn't find reference to this Manuscript
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