I thought I would check in with some progress on this topic. Since the last time I posted here, I've gone through around 200 more sources -mainly from the 13th-16th centuries- including new areas of europe and non-european examples so the net has been rather widened.
Here are all of the new examples of aries either on a rocky slope / reaching up to highground / climbing and eating a tree:
And here are all of the new examples of capricorn:
Climbing up a tree:
Reaching/climbing up a rocky slope:
Reaching up a hill (even the fishgoats are joining in!):
And a few where they are looking up rocky/hilly terrain with trees nearby:
One thing is becoming increasingly clear: this tradition is almost non-existent for Aries, but relatively common for capricorn. This applies across centuries
, and even whether or not it's fully a goat.
So, let's take a look and see if there are any noticeable patterns for the usage of this motif. Was it widespread?
1280 - 1290 France N, Amiens
1401 - 1500 France, ?
1401 - 1500 France?, ?
1401 - 1500 France?, ?
1405 - 1405 Czechia, Prague
1426 - 1438 France NW?, Brittany?
1430 - 1470 France (
N?),
Rouen?
1451 - 1475 France, ?
1460 - 1470 France N, Rouen
1463 - 1498 France N, Rouen
1465 - 1475 France N, Rouen
1470 - 1480 France, ?
1475 - 1485 France N, Rouen
1475 - 1500 France N, Rouen
1475 - 1500 France N, Rouen?
1480 - 1490 France N, Rouen?
1485 - 1495 France, Tours
1490 - 1510 France N, Rouen
1490 - 1510 France N, ?
1490 - 1500 France N, Paris
1500 - 1510 France N, Rouen
1500 - 1500 France N, Rouen?
1505 - 1520 France N, Paris
1506 - 1506 France E?, Champagne?
1518 - 1518 Germany, Oppenheim
Out of 25 examples, 15 are from northern france (
10 from Rouen!), 5 others are specified as just "France", but in You are not allowed to view links.
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Login to view. I used comparisons of virgo, scorpio and sagittarius to show that some of those contain strong links to Rouen as well. Into the 16th century, we see a work supposedly from Eastern france, and a printed work from Germany.
There is one obvious outlier from the 15th century here: a lone work from Czechia, Prague. Weird. I dug a little deeper and found You are not allowed to view links.
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Login to view. by Tomáš Gaudek in 2012, which says the following (machine translated):
Quote:The decoration of the manuscript can be roughly divided into two main parts. In the calendar medallions, the main say belongs to the Master of the Antwerp Bible, while everywhere else the Master of the Krumlov Miscellany (also called the Master of the Krumlov Speculum) clearly predominates.
....
The Master of the Antwerp Bible (also called the Third Master of the Antwerp Bible and the Master of the Book of Joshua) was trained, perhaps following initial instruction in his native country, in France—specifically in the artistic circle of the Master of the Cleres femmes manuscript of the Duke of Berry (formerly known as the Master of 1402).
So it seems that in this particular case, this czech manuscript may too have been illuminated by a (relatively northern) french or flemish artist who was trained in Paris. It's a great example of the type of movement and immigration that happened back then; many of the other signs could also be explained with exactly this type of thing.