All that I see is a similarity of compositional style. A series of items is discussed sequentially in relatively short order. One would appear to be urinalysis, as suggested- and the VMs might be pharmaceutical compounding. The purpose of this style generally is to provide instruction, but there is no reason for any further similarities.
The VMs nymphs, found after the Zodiac sequence, divide themselves into two primary groups: those that are standing around in green water, and those that are off doing other things. It's a diverse group, from Melusine to the Agnus Dei, and look, there are rainbows, but the rainbow throne is empty. However, if an old potential identification of the Golden Fleece were to make any sense in relation to the understanding of the VMs, then each of those items, and others can be shown to contribute to that interpretation. Melusine, in the Luxembourg interpretation, is a mythical ancestress to the Valois lines of the C-14 era, through the mother of the first generation, who was Bonne of Luxembourg. Melusine was still celebrated by Philip the Good, Duke of Burgundy, at the Feast of the Pheasant. Philip the Good began the Order of the Golden Fleece in 1430.
It turns out, according to popular acclaim, that there are two potential versions of the Golden Fleece in the VMs. One is associated with the representation of Melusine, and the other is combined with an interesting version of an Agnus Dei representation with provenance connections to Burgundy.
So, what about the VMs rainbows? What connects the rainbow throne to the state of Burgundy and fits the C-14 dates. It's La Sainte Hostie de Dijon. Dijon was the primary city in the early history of Burgundy. This gift from the pope to the duke was serious business. This was in 1435, still inside the C-14 dates.
And even more unexpected is the identification of something unseen, the proposed object potentially hidden by the clever, starry canopy in the middle of the VMs Central Rosette. Is there a hexagonal item that fits the C-14 dates, that has connections to Burgundy and was well known? And really, there is. A sculpture called the 'Well of Moses' in the church in Dijon from 1405. The VMs nine rosettes represent 'New Jerusalem' and at the center is the hidden 'Well of Moses'. During the 1430s, the city of Dijon was the star of the north, almost like a 'New Jerusalem'.
A growing set of interpretations; the Fleece x 2, Melusine, the Agnus Dei of 1313, the Host, and the Well (the VMs cosmos and more) all reveal the things that the VMs artist knew. They are all coherent with historical events. They can all be tied together within the C-14 dates.
The VMs nymphs, found after the Zodiac sequence, divide themselves into two primary groups: those that are standing around in green water, and those that are off doing other things. It's a diverse group, from Melusine to the Agnus Dei, and look, there are rainbows, but the rainbow throne is empty. However, if an old potential identification of the Golden Fleece were to make any sense in relation to the understanding of the VMs, then each of those items, and others can be shown to contribute to that interpretation. Melusine, in the Luxembourg interpretation, is a mythical ancestress to the Valois lines of the C-14 era, through the mother of the first generation, who was Bonne of Luxembourg. Melusine was still celebrated by Philip the Good, Duke of Burgundy, at the Feast of the Pheasant. Philip the Good began the Order of the Golden Fleece in 1430.
It turns out, according to popular acclaim, that there are two potential versions of the Golden Fleece in the VMs. One is associated with the representation of Melusine, and the other is combined with an interesting version of an Agnus Dei representation with provenance connections to Burgundy.
So, what about the VMs rainbows? What connects the rainbow throne to the state of Burgundy and fits the C-14 dates. It's La Sainte Hostie de Dijon. Dijon was the primary city in the early history of Burgundy. This gift from the pope to the duke was serious business. This was in 1435, still inside the C-14 dates.
And even more unexpected is the identification of something unseen, the proposed object potentially hidden by the clever, starry canopy in the middle of the VMs Central Rosette. Is there a hexagonal item that fits the C-14 dates, that has connections to Burgundy and was well known? And really, there is. A sculpture called the 'Well of Moses' in the church in Dijon from 1405. The VMs nine rosettes represent 'New Jerusalem' and at the center is the hidden 'Well of Moses'. During the 1430s, the city of Dijon was the star of the north, almost like a 'New Jerusalem'.
A growing set of interpretations; the Fleece x 2, Melusine, the Agnus Dei of 1313, the Host, and the Well (the VMs cosmos and more) all reveal the things that the VMs artist knew. They are all coherent with historical events. They can all be tied together within the C-14 dates.