Hey Mark: You are correct, I did not understand your question.
(26-04-2024, 07:27 PM)Mark Knowles Wrote: You are not allowed to view links. Register or Login to view.Rich
You don't seem to have understood me.
Your point seems to be that the variation in dating amongst the people you call experts is so great that it demonstrates that there is a fundamental problem with their datings and so it must be a modern forgery.
Not exactly. First of all, I don't say "must be", but that I feel it is "evidence of" forgery. Secondly, I do not think there is any problem with their opinions on date of origin (of the illustrations and "lettering"), let alone "fundamental". I think they are all pretty much correct. Let me say it again, this way, "The wide range of differing and often mutually exclusive opinions on the subjects of dating, content, and geographic origins (most of which I think are correct, if contrasting opinions) implies to me that this is a modern forgery. Genuine items do not exhibit these differences of content, or the opinions about them, as they are from one time, one place, usually limited to a content set that reflects a specific, smaller range, appropriate under some understandable context."
This is a fundamental point to my blog post which started this thread about, and which I've described there, and in a hundred same and different ways in over a decade. It was on my list of "Forgery Red Flags" in the lecture I gave at the NSA Historical Cipher Conference at John Hopkins in 2017. And it is based on my study of the nature of art and literature forgeries throughout history, and how they are and were perceived, and how they were and are revealed as forgeries.
(26-04-2024, 07:27 PM)Mark Knowles Wrote: You are not allowed to view links. Register or Login to view.It seems to me that variation in dating of historical objects with no readable text by people is probably quite normal and so the different dating of different people is to be expected. How accurately do you expect an individual to be able to date an object of this kind? Lisa Fagin Davis pointed out that difficulties in dating medieval text like this is normal. Have you compared it to the dating of other medieval objects without readable text? How.accurate are they?
Well it's a good guess, to assume that this is a common phenom among genuine Medieval and other artifacts and literature. But it is not the case. If you want to learn more about this subject, you should read my reading list on the history of forgery, posted in this thread, twice, and found here:
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But in short, no, genuine items do not come close to the disparities of opinion which the Voynich exhibits. This is because genuine items match the time, hand, geography and content they were created under and with. Forgeries, in attempting to copy a subject, hand, and era, often miss. Well, if they don't, we don't know they are forgeries anyway. And when their are disagreement among experts, they are far more limited in scope than we see here. The Voynich is a unique and extreme example, and if a forgery as I believe, probably the most extreme one the planet ever saw... for scope of content and eras and styles. It's the Mack Daddy of forgeries.
As for Lisa, she told me that, long ago, before C14 dating, she knew right away, that it was and is obvious to her, that this is an early 15th century document. Perhaps she meant it was difficult for others? If you are reading this, Lisa, it would be better than Mark and I trying to define your views on this. But when I personally asked you this, at the Malta conference, my understanding from your answer was that this was "clearly" an early 15th century manuscript, and that this should not be a difficult answer to come to.
Another way to look at my position of is this: You know, we all know, that there is a great deal of expert and amateur disagreement on age, content and geography. That is a given. So each person, with a theory of their own, disagrees with any other theory that contrasts with their own. C14 genuinists disagree with any theory past about 1460. Newbold's theory disagreed with Singer's. Jules Janick (a friend of mine) strongly disagrees with my theory. Pelling, with his Averlino, disagreed with Claston's Anthony Askam authorship. The Comegys brothers disagree with me, and with Claston... on and on and on.
I, on the other hand, believe that almost all of them are correct (not fundamentally wrong, as you said). And I think the reason for all of them seeing all these contrasting and mutually exclusive things in the Voynich is because they are there. They are all right, not wrong. I think there are, or influences of, New World Plants, Jewish Iconography, Rosicrucian imagery. There is German, French, Czech, Nahuatl, Glagolitic, Latin, Algonquin, and other elements and influences used on the text and some imagery. I think the Voynich does contain images inspired by 15th, 16th, 17th, 18th, 19th and even twentieth century optical devices, and imaginative uses of microscopic organisms and plant life, and anatomical features. It reflects, in part, the Medieval and Renaissance Herbal, Medicinal and baleonological (sp? sorry not looking that up right now) traditions, too. I do think Newbold and others were correct in noting the similarity between that image and a nebula. I do think Robert Sale is correct in noting his papal iconography, the galero, the blue and white stripes, and more. I do think the You are not allowed to view links.
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Login to view. animal was intended to be an armadillo, as I and several others have noted... and that the "bird glyph" on You are not allowed to view links.
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Login to view. is meant to be a "calderon", or New World Codex paragraph marker. I do think many are probably correct in that the words on the last page marginalia were meant as "pox leber". I believe the Rosettes was inspired by, and included because it resembles You are not allowed to view links.
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Login to view.. I almost forgot: I absolutely agree with Tucker, Talbot, Janick, the Comegys, O'Neil and others, that there are New World plants and animals, and influences on the glyphs and other items...
I could literally go on for hours, and pages of this. You know the vast corpus of stunningly wide range of subjects, ages, languages, all "seen" in the Voynich. Well you are "talking" to a person who does listen to them all, and agrees with most of it.
And in MY OPINION (god you guys tire me out. I need a Red Bull, pronto...), all these contrasting observations by all these experts can best be explained, simply be explained, by the Voynich being made by an early 20th century forger who had knowledge of and access to all these subjects, and sought to make a colorful and exciting "compendium" which would look as though it came from a great and forward thinking mind or minds.
So in short, I do think the vast majority of experts were and are right. All the things they see in there, are in there, because it is... IN MY OPINION *downs Red Bull* a modern forgery.
Rich.