ololololo > 8 hours ago
(Today, 04:07 AM)agalakhov Wrote: You are not allowed to view links. Register or Login to view.Well, I personally have another variant of this theory.According to this logic, a very inept person took over the rewriting of this ancient book, because, apparently, he made a mistake with all the drawings.
The manuscript is a copy. The Scribe was not hired, he was working for himself copying some manuscript not known to us. The original was in a language barely known to the Scribe, so the Scribe had to invent his own way to write down and even to read the glyphs.
Just an experiment: what would happen if a person who only knows Latin would try to copy a text in Greek or, even worse, Arabic without understanding it at all, especially if it is not a very clear writing? Consider the person to be really overconfident about their writing skills. It could even be that someone has mistaken right-to-left script as left-to-right and wrote a "copy" of it in such a way. I can easily imagine a person who owns some book that he can't read but for some reason believes that this book is of extreme value and thus must be copied at all costs.
This would explain many features of the Voynich manuscript including existence of some grammatical structure (the original had it and it wasn't completely destroyed even during such a "copying"), low entropy (the copier has mistaken different words for the same one), prevalence of certain glyphs in certain positions (that's how the copier has read them), slightly different language of two different scribes (they included their personality in their copies) and so on.
Unfortunately, such a theory is very hard both to prove and to disprove. The only real proof would be finding the original, but even if it existed, it is very unlikely to exist today. So I don't believe my theory is of any use, I just keep in mind that what we're trying to read is not necessarily correctly written.
Jorge_Stolfi > 7 hours ago
(Today, 04:07 AM)agalakhov Wrote: You are not allowed to view links. Register or Login to view.The manuscript is a copy.
Quote:The Scribe was not hired, he was working for himself
Quote:The original was in a language barely known to the Scribe
Quote:I can easily imagine a person who owns some book that he can't read but for some reason believes that this book is of extreme value and thus must be copied at all costs.
Quote:so the Scribe had to invent his own way to write down and even to read the glyphs.
Quote:It could even be that someone has mistaken right-to-left script as left-to-right and wrote a "copy" of it in such a way.
Quote:Unfortunately, such a theory is very hard both to prove and to disprove.
agalakhov > 4 hours ago
(7 hours ago)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.This I find questionable. If the text was written with isolated characters -- like Hebrew, Armenian, Cyrillic, Chinese, etc. -- the person would have to learn to distinguish the various glyphs of that alphabet anyway. Then he should just copy those characters as they were.
![[Image: Beneventan-Script1.jpg?w=1200&ssl=1]](https://i0.wp.com/blog.digitizedmedievalmanuscripts.org/wp-content/uploads/2013/10/Beneventan-Script1.jpg?w=1200&ssl=1)
![[Image: 1652447762_by_Mudzina_500.jpg?1652447763]](https://faktopedia.pl/uimages/services/faktopedia/i18n/pl_PL/202205/1652447762_by_Mudzina_500.jpg?1652447763)
ololololo > 2 hours ago
(4 hours ago)agalakhov Wrote: You are not allowed to view links. Register or Login to view.About szynszyla... The example you gave is far from szynszyla (I speak as a person for whom Russian is his native language). The Cyrillic н is written without loops, so it should have been distinguishable. The example illustrates not a feature of the font, but a feature of the handwriting.(7 hours ago)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.This I find questionable. If the text was written with isolated characters -- like Hebrew, Armenian, Cyrillic, Chinese, etc. -- the person would have to learn to distinguish the various glyphs of that alphabet anyway. Then he should just copy those characters as they were.
Depending on how the original as written, this is not always true. Horizontal lines could be barely visible or there could be extra connecting lines between the glyphs. The spaces could be uniform in within and between glyphs.
Here, "u", "n" and "ii" are very similar. There are connection lines between some glyphs so one could mistake i.e. "un" for "i□i" and thus invent a glyph "□" (square "o") that did not exist in the original.
There is well-known example of modern Cyrillic handwriting:
So, for the question "in a language that is normally written with isolated characters, are these characters always distinguishable for a person not knowing the language?" - the answer is definitely "no" for both modern and medieval writing.
The unusual "-aiin" - "aiiin" pattern everywhere could be simply explained if "ii" and "iii" are indeed parts of one glyph. Here in other thread there was a suggestion that this could be something like "ων". Here one can probably prove that the Scribe indeed has meant "iii" as three glyphs. But what if the Scribe himself did not know the difference?