Koen G > 20-08-2025, 03:17 PM
Kendiyas > 20-08-2025, 04:12 PM
Quote:The Latin text page with a description of Austria among a fanciful pictorial map of Austria (194 x 224mm.)
You are not allowed to view links. Register or Login to view., published the year that Columbus returned to Europe after discovering America. In May of 1493 appeared in the Latin language one of the earliest voluminous books, fully illustrated with 1809 woodcuts printed from 645 woodblocks.The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe
A opportunity to acquire a 15th-century book illustration by named artists.!
Reference: Morse Library, Beloit College.
Kendiyas > 20-08-2025, 05:03 PM
Jorge_Stolfi > 20-08-2025, 05:14 PM
bi3mw > 20-08-2025, 05:27 PM
(20-08-2025, 03:17 PM)Koen G Wrote: You are not allowed to view links. Register or Login to view.2) This actually depicts a different city.
Quote:In Medieval Latin, the name was shortened in the 6th century and henceforth written and pronounced “Moguntia” or “Magantia.” In the 7th century, the city name changed to “Mogancia,” “Magancia urbis,” or “Maguntia,” and in the 8th century to “Magontia.” In the 11th century, the name had returned to ‘Moguntiacum’ or “Moguntie.” In general, the city's name was often influenced not by actual linguistic development, but by the prevailing “fashion” of pronunciation. In the 12th century, the city was referred to as “Magonta,” “Maguntia,” “Magontie,” and “Maguntiam.”
nablator > 20-08-2025, 05:27 PM
quimqu > 20-08-2025, 06:13 PM
bi3mw > 20-08-2025, 06:24 PM
Quote:The Latin edition comprises 656 pages, the German edition 596 pages. The work contains 1,809 woodcut illustrations from the workshop of Michael Wolgemut, which, however, originate from only 645 printing blocks, which is why the portraits in particular, but also the cityscapes, are sometimes repeated several times.
Koen G > 20-08-2025, 07:37 PM
(20-08-2025, 05:14 PM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.The nearest building, a truncated pyramid with a crenellated platform at the top, is rather unusual, isn't it? Could it be a real identifiable landmark?
All the best, --jorge
Bernd > 20-08-2025, 11:39 PM
(20-08-2025, 05:03 PM)Kendiyas Wrote: You are not allowed to view links. Register or Login to view.Upon further research, I believe that the city depicted is an imaginary general depiction of a european city that does not exist but inspired by a combination of cities such as Lyon. To be used in depictions of many cities which cuts the costs and production time. The swallow tail merlons are added next to other merlon styles to make it suitable for more cities. Cheeky but that is my guess.
Quote:The author of the text, Hartmann Schedel, was a medical doctor, humanist, and book collector. He earned a doctorate in medicine in Padua in 1466, then settled in Nuremberg to practice medicine and collect books. According to an inventory done in 1498, Schedel's personal library contained 370 manuscripts and 670 printed books. The author used passages from the classical and medieval works in this collection to compose the text of the chronicle. He borrowed most frequently from another humanist chronicle, the Supplementum Chronicarum by Giacomo Filippo Foresti of Bergamo. It has been estimated that about 90% of the text is pieced together from works on humanities, science, philosophy, and theology, while about 10% of the chronicle is Schedel's original composition.