My primary focus is on an analysis of the text itself, in order to identify as many letter values of Voynich script characters with as precise accuracy as is possible at this stage of the investigation. But at the same time, I have also found it useful to make tentative hypotheses about such questions as the possible author or authors of the Voynich manuscript as well. Although I now realize that my previous hypothesis, posted earlier in this thread, about You are not allowed to view links.
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Login to view. (1373-1415), as the sole author of the Voynich manuscript as his private personal diary, is most probably incorrect, it may have represented a close enough approximation of the actual authorship of the ms that the hypothesis guided me to the key insight that the Yorkist author or authors' virulent hostility toward Henry IV (1367-1413 ; r. 1399-1413), the first Lancastrian king of England, was the motive to "banish" the first letter of his name "
BolingBroke" (both B's capitalised for emphasis) to the last position of almost every word in which it appears in the Voynich ms text, by writing almost every word that actually begins with "B" backwards so that it appears to end with "B" instead. (As analysed above, the Voynich character represented in the standard EVA transcription as "EVA [m]" = "B" according to my theory.)
Thus, this post presents a revision of my previous authorship hypothesis of the Voynich manuscript. But before I get to that part, it is necessary to discuss yet another brilliant insight in David Jackson's landmark 26 June 2013 blog post, You are not allowed to view links.
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Login to view.. In addition to his analysis of the House of York page You are not allowed to view links.
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"You know say, very interesting, but what about that lizard? The supposed page of the House of York has a central figure which is a man with a crossbow, this page a central figure which is a lizard?
"Actually, it plays directly into my theory.
"First look at the women surrounding the lizard. Every single one carries a fully coloured in rose. Unlike 73v, there are no women without roses. Every single one of them is loyal.
"The “lizard” or “dragon” is the central figure of 73r. The animal is green. It has a long reptilian tail, with no pointed end (this may have been erased), which curves around. It appears to have some scales on its back, which could be folded wings. Its feet appear to be drawn with no particular care. Its head appears to be open and a line emerges to connect to the star (or rose) it is carrying.
"Let us examine that rose. Looking closely at the better quality Beinecke digital scans, it is obvious that there is a human head inside the mouth of the lizard, from whose scalp a line appears to the rose.
"The personal symbol of the future King Henry VII was the green dragon of Wales, and it was under this banner that he fought and beat King Richard III.
"The symbolism is clear: the new Welsh King Henry VII has swallowed the House of Lancaster. The families and factions of the defeated House of Lancaster surround the new King and pledge their allegiance to him (which they did in historical fact). Opposite, the House of York wait, still united, but with factions wavering and being held loyal only by the force of arms.
"Underneath the dragon is a heavily scored word which could be the Latin word unita(s) : unity. It’s mixed in with the feet of the dragon and so is unclear."
As you will see in the analysis that follows, when combined with the House of York analysis of folio page You are not allowed to view links.
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Almost everything in David Jackson's analysis above is absolutely, completely correct. Green dragon, yes. Welsh green dragon, yes. Welsh green dragon swallowing the House of Lancaster, yes. Human head inside the mouth of the dragon, yes. There is only one small detail that needs to be corrected: The Welsh dragon does not represent Henry VII in 1485; the Welsh dragon represents the You are not allowed to view links.
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Login to view. of 1400-1415 against England which was under the rule of Henry IV (Bolingbroke). The human head inside the mouth of the dragon most certainly must represent the head of Henry IV (Bolingbroke!).
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In February 1405, You are not allowed to view links.
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Login to view., whose relationship to the statistical analysis of the Voynich character ligatures EVA [cth] and EVA [cph] = "M" I have also analysed and discussed above), and You are not allowed to view links.
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Login to view. "to divide England and Wales up among them at the expense of Henry IV" (Bolingbroke!). (The You are not allowed to view links.
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Meanwhile...here is where the House of York, the Duke of York, and his siblings come directly into play: At the very least, both You are not allowed to view links.
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But alas, they were quickly recaptured. Sources then variously state that
Constance of York, the Duke of York's sister, You are not allowed to view links.
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One significant additional biographical note: Constance of York and her husband, You are not allowed to view links.
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Login to view. (!). Constance of York's husband was a participant in the You are not allowed to view links.
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Login to view. in 1399-1400 against Henry IV (Bolingbroke!) and was killed as a result. (Although Edward, future 2nd Duke of York and Constance's older brother, has been described in some histories as betraying the Epiphany Rising conspirators to Henry IV, You are not allowed to view links.
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Login to view. states that "contemporary English sources which describe the conspiracy make no mention of Rutland [Edward, future 2nd Duke of York], and his role in it is open to doubt". Here is You are not allowed to view links.
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I also wish to bring Edward's youngest sibling, You are not allowed to view links.
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I know all of that history is a lot to digest. Perhaps the most pleasant way to digest some of it is to read or watch Shakespeare's plays
You are not allowed to view links. Register or Login to view. and
You are not allowed to view links. Register or Login to view., both of which substantially feature the historical backdrop of the rebellions against Henry IV in the first decade of the 15th century. I simply note here that a prominent You are not allowed to view links.
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Finally, the point: My revised hypothesis is that the Voynich manuscript may possibly represent the joint work of the York siblings:
Edward, 2nd Duke of York; his sister
Constance of York; and their youngest sibling,
Richard of Conisburgh, 3rd Earl of Cambridge, possibly with the participation of a couple other very close Yorkist family members and friends.
The above historical summary makes it abundantly clear that
Constance of York above all would have every imaginable reason to detest and despise Henry IV (Bolingbroke!).
I still maintain that Edward, 2nd Duke of York, is most likely the brilliant inventor and designer of the Voynich manuscript cipher. His linguistic talents, evident in his historic translation of
The Master of Game from French into English, make that abundantly clear. But I now believe that he shared his inventive cipher with his siblings, taught it to them, and the three of them composed various sections of the Voynich manuscript. It is also possible that a couple people very close to them were involved, which would explain the as many as 5 "Hands" identified in the handwriting of the Voynich manuscript text. I am grateful to JKP for pointing out to me, earlier in this thread, that the identification of multiple Hands likely implies the involvement of multiple people, rather than merely one person writing while experiencing different "moods".
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One last detail: The Welsh connection described in the historical summary above is very interesting to me. To be honest, I actually stumbled across a possible subtle rebus-like reference to a symbol of Welsh culture in the very first line of text in the Voynich manuscript, but at the time I did not dare mention it, since I could not justify it without fear of succumbing to the "four-step process" and "word salad" methodological errors that led me so far astray in my previous erroneous "theories" (read: "nonsense") of the Voynich manuscript.
In my reading and interpretation of the first line of the Voynich manuscript (folio page You are not allowed to view links.
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crwth (Welsh borrowing in English) - "archaic stringed instrument associated particularly with Wales, though once played widely in Europe"
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Geoffrey