Voynich is encrypted ENOCH

[Radim Dobeš]

Alright, let me try once more to summarize the content of my last few posts. I am attempting to create a numerical model of a system based on principles similar to those of the *Arca Musarithmica*. It is a multi-layered combinatorial system that utilizes permutation tables. It is capable of transforming input text—in this specific case, Latin—into music through approximately ten steps. It converts linguistic grammar into musical elements (harmony, melody, rhythm, key, etc.), a process carried out manually using these permutation tables. I am investigating whether this system can generate the full range of textual behavior observed in the EVA transcription. Since the original permutation tables (*PINAX*) for the Voynich Manuscript must have existed, I am attempting to reconstruct them. I have access to the EVA output and the ENOCH input; the latter—provided by Prof. Stolfi—is particularly valuable. It consists of the *Enoch* text in Ge'ez and English, transliterated into the Latin script—a task that must have required a significant amount of work. However, it appears that this is not a direct translation, but rather a transformation involving subjective choices. Thank you. So far, my model—based on the *Arca* system—is able to account for up to 70% of the grammar found in the EVA transcription. Crucially, it is highly likely that this system could generate the Voynich Manuscript, provided it uses the correct set of permutation tables and rules governing the interactions between its layers. My native language is Czech.