In his downplaying of the manuscript Justin Sledge resorts to the old quote from Mr Voynich that the work is an "ugly duckling", but the quote doesn't help Justin's case. As I recall, according to the tale the "ugly duckling" was in fact a swan. It only looked like an ugly duckling. I'm sure that was Mr Voynich's analogy. No one claims the Voynich MS. is a masterpiece. The claim, rather, is that its crude and amateurish (I prefer the word "folkish") character - its ugliness - is deceptive. It is more sophisticated than it looks.
Justin, I suppose, might reply, if it waddles like a duck and quacks like a duck... it's a duck. Most of us who spend time investigating the work develop more respect for it and look beyond its crude presentation. If you look closely, you can see a swan.
For me, this is one of its mysteries. It is very folkish, but very quickly you realise it is not the scribbling of some half-educated rustic on a get-rich-quick scheme. The disjunction between naivety and sophistication is intriguing and one of its hallmarks. That's the sense in which it's an ugly duckling and why the analogy is apt.
Justin, I suppose, might reply, if it waddles like a duck and quacks like a duck... it's a duck. Most of us who spend time investigating the work develop more respect for it and look beyond its crude presentation. If you look closely, you can see a swan.
For me, this is one of its mysteries. It is very folkish, but very quickly you realise it is not the scribbling of some half-educated rustic on a get-rich-quick scheme. The disjunction between naivety and sophistication is intriguing and one of its hallmarks. That's the sense in which it's an ugly duckling and why the analogy is apt.


![[+]](https://www.voynich.ninja/images/collapse_collapsed.png)