So many questions...
Why add an extra row of dots on the first glyph?
Why add veins?
Why change the roots?
Why interpret the text as Latin and "clean up" EVA-ch based on what it usually means in Latin?
Why have the gallows characters been given a descending tail on the end stroke, rather than the little serif that is so distinctive to Voynichese?
Why is the first v-shape written more like d? Why are quite a few of the glyphs incorrectly copied?
I find it particularly intriguing that the gallows P in the middle of the Vord doesn't stem all the way to the baseline even though it does on the original. This is what sometimes happens in other parts of the VMS, the ascender hovers above the baseline, and sometimes has an extra stroke added to bring it down to the baseline. Has the copyist interpreted it as a pilcrow/capitulum and drawn it as such?
Why add an extra row of dots on the first glyph?
Why add veins?
Why change the roots?
Why interpret the text as Latin and "clean up" EVA-ch based on what it usually means in Latin?
Why have the gallows characters been given a descending tail on the end stroke, rather than the little serif that is so distinctive to Voynichese?
Why is the first v-shape written more like d? Why are quite a few of the glyphs incorrectly copied?
I find it particularly intriguing that the gallows P in the middle of the Vord doesn't stem all the way to the baseline even though it does on the original. This is what sometimes happens in other parts of the VMS, the ascender hovers above the baseline, and sometimes has an extra stroke added to bring it down to the baseline. Has the copyist interpreted it as a pilcrow/capitulum and drawn it as such?


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