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• RE: Voynich Decoded

  oshfdk > 22-07-2025, 10:16 PM

  (22-07-2025, 09:24 PM)tavie Wrote: You are not allowed to view links. Register or Login to view.But there is a descender going down into the next line. It kind of looks as if the scribe did the descender for a q then changed their mind and wrote an o over it.

  
  Interestingly, if it is a EVA O, it's noticeably larger than the normal EVA O. And there is another EVA O here that is also unusually large (and has a tiny loop inside?), it starts line 3 of the same folio, both O's are roughly the same size:
  
     
  
  If anyone has something to add on this topic, I also think it makes sense to split the thread.

• RE: Voynich Decoded

  Kris1212 > 28-07-2025, 08:26 AM

  EVA’s Collapse of the Harmonic Glyphs — Humoral Structure Confirmed
  I’ve now logged all paragraph starters across the plant folios, and the pattern is absolutely consistent: the tonal glyphs that begin each paragraph correspond directly to the classical humors.
  There are five tone glyphs involved:

  • k = Mars, Choleric
    
  • p = Jupiter, Sanguine
    
  • t = Saturn, Melancholic
    
  • q = Venus, Phlegmatic
    
  • f = Divine origin, Fertility or cosmic generation
    

  Every paragraph opens with one of these. The structure is deliberate, visible, and matches the traditional medical framework exactly. It’s the foundation for the entire plant section. The tones define the type of ritual and the body-state or energetic field being targeted.
  But here’s the problem: EVA ruins this completely.
  EVA groups these tone glyphs into upper and lower case letters based on how high or low the crossbar sits. A glyph with one bar is called “t”; with two bars, it becomes “T”. Same for p/P, k/K, f/F. The assumption behind this was that it’s a language and these are letters with case.
  But it’s not a language. There is no case. These are not letters.
  They’re symbolic tones. And the differences between them are functional. A second crossbar isn’t stylistic — it likely represents a modal shift, a subharmonic gate, or a deeper ritual anchor. The forms with two bars are not the same glyphs. EVA’s system collapses them into one transcription and hides the difference under the false idea of capitalisation.
  So I’m now classifying them properly. For example:

  • t = standard Saturn tone
    
  • t+ = variant with an additional lower bar, functionally distinct
    
  • same applies for the others
    

  EVA’s handling of these glyphs has actively suppressed the tonal structure of the manuscript for decades. It flattened distinct forms into a typographic shortcut and destroyed the functional reading of the tone system.
  
  Full data sheets, images and logs will be added to the public folder soon.

• RE: Voynich Decoded

  Kris1212 > 29-07-2025, 01:49 PM

  So not only did the EVA collapse the second layer of the harmonic glyphs ftpk which are now distinct by adding a + to them, it also compressed a version of c into an s when they are clearly different. So many errors in here have to transcribe it again myself. 
  c is the vessel/world soul and the c'  that was hidden as an s is   Nous, the divine intellect, another layer of the onion just revealed itself.
  I love this book, really it's absolutely incredible and I've loved every moment of this puzzle.
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