RE: Plans for conference?
R. Sale > 13-04-2022, 08:40 PM
It is my understanding that the conference is mainly interested in linguistics. However, I would suggest that some significant progress has rather been made in the interpretation of certain VMs illustrations in relation to historical events and provenance. A selective collation of investigative discoveries from multiple researchers shows different references to a common cultural period that is coincident with the C-14 dates.
In order to make an evaluation based on fact / truth, it seems that what is expected is some sort of clear, direct, and incontrovertible example. And if there's not such an example, then there is nothing. The VMs approach is different, and based on multiple examples, some of which have been disguised. Rather than a single column, the VMs is like a American Indian teepee in that many poles are put in place before the covering is possible. All examples are based on interpretation, but there is common circumstance to a number of these historical examples that belong in the C-14 timeline and are tied first to Paris and then to Dijon.
The subtly simmering potential for religious connections warmed up a bit with the VMs ties to New Jerusalem, and "rho-chi", and the mystical ring and cross of Colette of Corbie, whose story is tied to the Dukes and Duchesses of Burgundy. Along with Melusine of Luxembourg and the Golden Fleece, there are common cultural connections that are reflective of the C-14 era. And the drawings in the VMs represent the artist's interpretation and reflect the artist's knowledge of historical traditions, myths, and events.
The VMs illustrations have indicated a historical context for the VMs artist.
I don't claim these discoveries. I have selected the examples for collation based on compatibility with the two VMs examples of the Golden Fleece. Appearance is really not definitive. This makes the interpretation dismissible. What is learned through cultural history is that the interpretations are supported in their positive interpretation by a structural association within each VMs illustration. In the one case, by the association with the Valois version of Melusine. And in the other example, by association with the particular structure of the Agnus Dei from BNF Fr. 13096. Evaluation through cultural interpretation argues in favor of a positive determination. And if she is just a mermaid, to the reader, the interpretation will fail. But, of course, she is not. And there are other potential indicators that had clear connections to Dijon.