2 hours ago
MarcoP dateline='[url=tel:1793434558' wrote: You are not allowed to view links. Register or Login to view.1793434558[/url]']
My guess is that the five rows below each “figure” correspond to the five positions defined by the two parallel horizontal lines (similar to music notation).
Could a comparable principle in Voynich perhaps be implemented not through vertical positioning, but through graphical changes within the gallows themselves – including their bench connections?
And another question comes to mind: Is it reasonable to assume that all the tables were produced by the original scribe of the Ars notaria, or could a later contributor also be considered?
This would lead to a further question: Were the tables constructed in this way from the beginning, or was this idea developed further?