Better than this wandering discussion would be a focused demonstration. Take a specified portion of VMs text and show how it should be translated.
The text that I suggest is the outer ring segment from VMs White Aries.
And with the reference to f57v, if certain interpretations are being assumed, there are three different examples of cultural to structural correspondence in the first five glyphs of what is known as the 4 by 17 sequence to be considered. The problem with VMs glyphs is their linguistic interpretation. According to various examples of cultural usage, a given symbol may have multiple interpretations.
Such is the case with the fifth symbol in the sequence, an inverted 'v' shape. EVA: v.
In Greek this symbol is lambda. And in Greek the first symbol of the VMs sequence is properly shaped and properly placed in that alpha-numeric sequence to be interpreted as the letter omicron. EVA: o.
Using the medieval numerals of Typus Arithmetica, the fifth VMs symbol looks like the number '7'. And in this interpretation, it is properly placed in relation to the second symbol, which represents the number '4'. EVA: l
In Roman numerals, this inverted 'v' is an inverted representation of '5' in the fifth place.
Three different cultural interpretations of one VMs symbol. Each supported by structural data relevant to that culture. They all tend to be more numerical, rather than alphabetic. How might such complex correspondence occur? And why?
The text that I suggest is the outer ring segment from VMs White Aries.
And with the reference to f57v, if certain interpretations are being assumed, there are three different examples of cultural to structural correspondence in the first five glyphs of what is known as the 4 by 17 sequence to be considered. The problem with VMs glyphs is their linguistic interpretation. According to various examples of cultural usage, a given symbol may have multiple interpretations.
Such is the case with the fifth symbol in the sequence, an inverted 'v' shape. EVA: v.
In Greek this symbol is lambda. And in Greek the first symbol of the VMs sequence is properly shaped and properly placed in that alpha-numeric sequence to be interpreted as the letter omicron. EVA: o.
Using the medieval numerals of Typus Arithmetica, the fifth VMs symbol looks like the number '7'. And in this interpretation, it is properly placed in relation to the second symbol, which represents the number '4'. EVA: l
In Roman numerals, this inverted 'v' is an inverted representation of '5' in the fifth place.
Three different cultural interpretations of one VMs symbol. Each supported by structural data relevant to that culture. They all tend to be more numerical, rather than alphabetic. How might such complex correspondence occur? And why?