Apparently, Voynich illustrations represent something similar to classical "canopies", but they don't follow the same visual tradition.
Putting together Koen's observations (italics) and mine, these are the main differences when comparing You are not allowed to view links. Register or Login to view. with classical canopies:
I found the image here: You are not allowed to view links. Register or Login to view.
![[Image: attachment.php?aid=307]](http://www.voynich.ninja/attachment.php?aid=307)
In the Bern manuscript:
In my opinion, Wladimir's observation is a nice addition to the subject: there appear to be tents also in the Rosettes page. On this specific idea, there is a very interesting blog post by Ellie about You are not allowed to view links. Register or Login to view..
Putting together Koen's observations (italics) and mine, these are the main differences when comparing You are not allowed to view links. Register or Login to view. with classical canopies:
- Voynich is the only one that has alternating colors for the pieces that radiate out from the centre.
- The older examples show a clear dome in side view. The other examples give a top view. Voynich, however, gives a side view with little to no dome effect. Kind of like a squashed umbrella.
- The central pole that appears in the Voynich ms is absent in all other cases;
- The curves on the border are convex in the VMS, while they are concave in all other cases.
I found the image here: You are not allowed to view links. Register or Login to view.
In the Bern manuscript:
- There is a central pole (shaped like a cross).
- The curves on the border are clearly convex (even if much less so than in the VMS).
- The "squashed umbrella" shape is there (but steeper in the Bern ms).
In my opinion, Wladimir's observation is a nice addition to the subject: there appear to be tents also in the Rosettes page. On this specific idea, there is a very interesting blog post by Ellie about You are not allowed to view links. Register or Login to view..


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