Many thanks to Nablator for the set of links in You are not allowed to view links. Register or Login to view..
I was thinking about doing the same and this saved me a considerable amount of work ...
Let me just add Munich You are not allowed to view links. Register or Login to view.
The point of all these manuscripts, written over a span of more than two centuries, is that they were written and illustrated somewhere in Italy, and show how Balsam was gained from trees in a walled city.
The earlier manuscripts, from Southern Italy, show rectangular crenelations on the walls, the 15th century copies that were made in Northern Italy show swallow-tail crenelations.
This detail is clearly not trying to reflect what Cairo looked like, but how the illustrator liked to draw walls and reflect his local environment.
I was thinking about doing the same and this saved me a considerable amount of work ...
Let me just add Munich You are not allowed to view links. Register or Login to view.
Quote:Edit: the link to the specific page in the Chigi MS is a bit more tricky to figure out:
You are not allowed to view links. Register or Login to view.
The point of all these manuscripts, written over a span of more than two centuries, is that they were written and illustrated somewhere in Italy, and show how Balsam was gained from trees in a walled city.
The earlier manuscripts, from Southern Italy, show rectangular crenelations on the walls, the 15th century copies that were made in Northern Italy show swallow-tail crenelations.
This detail is clearly not trying to reflect what Cairo looked like, but how the illustrator liked to draw walls and reflect his local environment.


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