Hi, Jorge: I'm not certain we have met in person, but I would enjoy a face-to-face discussion on all these issues someday.
You use the word "hallucinations" for alternate opinions on the identity of some images. I would personally prefer "pareidolia", as it can explain the phenomenon you are describing, but without the need for the observer to be in a poor mental state of some kind. But I understand your objections, and agree that different people will see these things differently, from different vantages and backgrounds. And there are so many dozens of such illustrations, and probably hundreds of opinions on each one, so it could be virtually impossible to cover all the facets of this issue.
Nonetheless I will attempt to briefly give my reasoning for the particular identifications you object to:
(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view. (01-11-2025, 12:21 AM)proto57 Wrote: You are not allowed to view links. Register or Login to view.It has many illustrations for which the best comparisons are to items anachronistic to it, including post-Columbian plants
The alleged identifications of almost all the plants, are just hallucinations by people who have decided that the plants must be real and well-drawn. Actually there are only 2-3 plants that can be identified with some certainty, and they occur all over the world.
Well it is true that many plants, and/or parts of plants, are still considered as attempting to illustrate real plants. Likewise, many are clearly fanciful, or in great error. This leaves open the ability for anyone to claim identities for many of them, and for others to dismiss them. That will not change. It is an almost purely speculative problem, of course.
That being said, I do agree with many of the attempts at identification, and many of those are of New World plants. The work of Jules Janick is really well done, and he is a respected and able botanist. There are several other experts who also believe many of the plants are New World, starting with, of course, Hugh O'Neil. And I would also say that I, in no way, agree with ALL the New World plant identifications. I find maybe 10% to 20% of them convincing enough to rise to a strong case for New World origins or influence.
But here is the thing: ONLY one of them has to be correctly identified as New World for the Voynich to be post-Columbian. Just one. All of the dozens of identifications must be rejected on the grounds often given, such as pure fantasy plants, or cases of pareidolia, and so on. Those are answers that stretch credibility to me. But I've also found that while people claim pareidolia and so on for plants that counter 1420 Genuine, they are often, nonetheless willing to accept those plants and plant parts that support it.
And a last point: In my case, in my hypothesis, there is context to both New and Old World plants being in there, as New World plants were of great interest to Old Europe, and Rudolf II, and other collectors and scientists, including Kircher. Especially the sunflower. If, as I posit, one were to make a fake to look as though it came from that Court, and with association with Horcicky (who signed it), it very much would include exactly what has been suggested by Janick et al.
(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Quote:animals, devices, styles, possible microscopic cells and diatoms
Those interpretations of the figures either represent things that are compatible with the 1400s date, or things that we cannot identify. The identifications above, again, are hallucinations.
I am not alone in thinking their are strong similarities to microscopic, and even, microscopes (as you know, an idea I introduced in 2007), even if they believe the Voynich is circa 1420. I believe the "cells" idea even appears in D'Imperio (?). And of course, different people, and you and I, will have vastly different interpretations for all these illustrations. And the perfectly enigmatic nature of the Voynich disallows any firm identification. And it is too long a subject to cover adequately, here.
But there are a few points I can make here: First of all, it would have to be highly coincidental that several of the best identifications, by myself and others, "happen to be" in only four pre-1910 books on microscopy. Anyone can see those books, and those comparisons, here: You are not allowed to view links.
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One of my favorite is from the 19th century "The Microscope And Its Revelations, by William B. Carpenter", the diatom found off the coast of Japan in the 19th century, and needing 512x magnification to see its details:
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In this case, the "spokes", center, diameters of features, all line up almost perfectly. To me, this defies a claim of pareidolia, or "hallucinations", especially when considered the many other similarly good comparisons I've listed in my linked blog post. And it has context, too, if one accepts... as many do... the many features of the cylinders in the Voynich which are almost perfect matches to microscopes: The recessed tops and their color (early microscopes had green and blue tinted glass lenses), the knurled ridges (for focusing), the parallel multi-diameter sections (sliding sections for focus), the similar color and decoration, possibly representing the common leather cover and tooling of microscopes, and the legs on some (many early microscopes did have legs to raise the objective lens, and were even sometimes formed as "delphini", similar to the Voynich cylinder legs), and more. Here is just one example of many:
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The actual microscope I show here was in the Museo Galileo, only about a quarter mile from Voynich's Florence shop when he was there. One example, but again there are many others, which can be found on my blog, in various posts over the years. And the presence of these, as microscopes, fits well within the overall context of my hypothesis, as they were in the Court of Rudolf II, owned and invented by both Kepler (1611 Dioptrice), and Drebbel while they were there, and plausibly known of by Horcicky while HE was in the Court... a man, of course, whose name appears on the first page of the Voynich. Context matters, and for all these comparisons to fit within that context to be imagined strains credibility. They fit with each other, with many opinions about the content and purpose of the Voynich (as a botanical compendium), their placement in the ms., and so on. And again, each and every one of them would have to be wrong, and explained away... to the last one... in order for the Voynich to be pre-1611, and more likely, a modern forgery meant to include this content.
(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Quote:anatomy as illustrated in Grey's
The anatomical drawings are quite crude. Maybe they were not common in Europe at the time, but probably there are better examples in Arabic or other non-European medical books.
Possible... I mean human bodies have not changed in probably a million or so years, and we have always been curious enough to poke around "in there". But despite extensive research by myself and another very good researcher (who strongly believed the Voynich is 1420 genuine) could not find satisfactory examples of such anatomical detail as many suppose is represented in the Voynich, until Gray. And the layout of the Gray images, and the selection, is surprisingly similar. But I agree it is not a strong point of this argument, and needs much further work to really know its implications. I don't live or die on it, but think that... again in context... it is weak but supportive evidence of modern content.
(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Quote:women with stars on strings
What is wrong with those?
Another researcher pointed out on their blog... no longer extant... that the only place they could find
any illustration of woman holding strings connected with stars was in an illustration by Elihu Vedder in an illustrated 1885 copy of The Rubaiyat of Omar Khayyam. It is of the Seven Sisters, i.e., The Pleiades. I found a comment by a person on the blog very telling, and one that illustrated a common explanation for such good comparisons, when they worked against 1420 Genuine. He wrote (paraphrasing, it is long gone), "This is very similar, I agree, and this shows that Vedder must have seen the Voynich". He then mused on the different ways the artist may have seen the Voynich, and the included "women with strings on stars", in order to be influenced to create his illustration. There are other examples of this line of reasoning, and I've heard that Tolkien might have seen the Voynich, too, to explain their comparisons, and so on. But in my opinion, it would be better to look at all these comparsions, and the one theory which would explain their inclusion, and, often, in an overall context.
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(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Quote:"pox leber"
Those writings are almost surely later additions.
But of course this is an often used rationale for modern evidence in the Voynich that runs contrary to 1420. However, in this case, McCrone found that the ink of the last page marginalia is actually the same ink of the main text, so it was not added later. Now interestingly this is a case of opinion adjusting to data, as before McCrone it was said what you reflected: This marginalia was in a different hand, by a different author, at a later date. Then one day I noticed that this opinion had quietly changed, but with no explanation. I wondered "what was up", so I went back and re-read McCrone, and then I knew why it changed. Anyway, one can either reject the ink findings in this case, and hold that that marginalia is later; or explain why the author of the Voynich wrote in a different hand, or maybe how there was another person there, using his/her inkwell. Or whatever, I've heard many takes on this. For anyone interested, they can read my opinions on this issue in You are not allowed to view links.
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"A list of some of the various arguments I met with, used against this uncomfortable conclusion:
- It’s not “pox leber”
- It is “pox leber”, but the phrase may have existed early enough for the C14 range
- I’m reading the ink report of McCrone wrong
- McCrone must have information they did not reveal, which will show the ink is not the same
- I’m reading it right, but ink always looks similar enough to be deemed the same
- “So what?” if the Voynich author also penned the f166v marginalia? They just decided to use a different style and characters
- Nobody ever said the marginalia was added later, anyway, and don’t look…"
There are many examples of the "It is too new, so it was added; and if it could not have been added, it is not what you think it is", a disclaimer that always turns to C14 as the deciding factor. The whole field of Voynich research is rife with this line of reasoning, in order to make the square peg of what we see fit with the round hole that is the 1420 Genuine European Cipher herbal. One place with many of similar observations and disclaimers, some by Yale itself, can be found in my rebuttal to You are not allowed to view links.
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(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Quote:It looks very "fresh" and "bright"
Huh? On the contrary, it is in a very sorry state compared to some other manuscripts from the time. Lots of wear, water damage, wormholes, stains...
True for overall condition... but many, including me, have long noted how bright the colors are (I should have been more specific, sorry). That list is long... but in addition the the surprisingly bright colors, Dana Scott noted that there are some edges of the paper that are very bright, almost white, as though they had been trimmed in more recent times.
(01-11-2025, 02:55 AM)Jorge_Stolfi Wrote: You are not allowed to view links. Register or Login to view.Again, I think it is extremely unlikely that the VMS is a forgery or hoax, by Voynich or by someone well after 1400. I think that there is strong evidence and arguments against that theory.
On the other hand, I still admit the possibility that Voynich tampered with the evidence about the history of the VMS in the 1600s, such as Marci's letter and Jacobus's signature. I don't think that is likely either, but I don't see any strong evidence against this theory.
All the best, --stolfi
Well all I can say is I appreciate you interest, and even your strong disagreement with my ideas. I find it refreshing and interesting. And to make it clear, I highly respect your opinions, even while I do disagree with them.
All the best, Rich