Rene, I had responded to your points a while back, on the VMs-List, which you may or may not have seen. Since David has since that time welcomed me on the Ninja's, I thought I would revisit this here... since they do relate to my theories and opinions, and so I reserve the right to correct you. Some of what I post here will be a copy of that old List rebuttal...
First of all:
(17-09-2016, 11:00 AM)ReneZ Wrote: You are not allowed to view links. Register or Login to view.I am afraid that Rich has confused something there. He writes:
Quote:6: The “Signature” & Date: It has long been known that the “signature” of Marcus Marci is not by him, as it seems to be different on his other, earlier letters. This has been explained by the fact that Marci was very old, and ill at this point, and some scribe wrote and signed the letter for him. But interesting to me is the almost pantographic ability of this scribe…
However, the signature is Marci's while the main text of the letter is from the scribe. (It could also be one of his students). The main text of the two letters are made up of many, many words, and these are different words between the two letters, so they could not have been overlaid.
That makes the whole point a moot point.
I've "confused" nothing.
1) "... main text of the two letters are made up of many, many words, and these are different words between the two letters..."
But of course I never said, nor implied, that the entire 1665/6 letter is a copy, only the signature, date, and some other portions. Why would it be? They are different letters anyway. So saying they are not is the "moot point", and bears no relation to my observations. For what I
actually contend, one can read:
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2) "... the signature is Marci's while the main text of the letter is from the scribe. (It could also be one of his students)..."
Who wrote what is only a guess by you, first of all; secondly, it is another point moot to the 1665 letter being a forgery: Whomever wrote the letter in the Carteggio, I contend that portions... the signature and date and such... were copied. They are virtually an exact overlay, which implies possibly made with a tracing, or a pantograph, or a camera lucida...
From other points you make, Rene, here and elsewhere:
3) You wrote, "The most interesting argument (I find) that the Marci letter isn't a modern forgery is that it is logically impossible.
This is a bit of a thought experiment, and requires one to forget certain things that are 'known'.
"We know that the Voynich MS was sent by Marci to Kircher in 1665.
How do we know? We know from the Marci letter."
But yours is odd "logic", and circular reasoning in itself. Obviously, if the 1665 Marci letter is a forgery, by Voynich or other, then we don't "... know that the Voynich MS was sent by Marci to Kircher in 1665." So Rene, your basic premise is incorrect, and so the rest cannot be correct. And also, we don't know the item described in the authentic letters is the Voynich to begin with, nor that that item, whatever it was, ever made it to Kircher, and so on...
4) "Now go back to the time that Voynich supposedly started his forgery of the MS."
My theory contends that would be between 1908 and 1910, with the Marci letter forged by 1912.
5) "So we need to take away the Voynich MS. It doesn't exist. It was the product of W.Voynich's imagination.
Now also take away the Marci letter. It's not there, but again, it is a product of Voynich's imagination."
Okay... this partly states my hypothesis.
6) "So, where do the roles of Marci and Kircher in the history of the MS come from? What is the source for all information contained in the Marci letter?"
Roughly based on the letters of the Carteggio... although a very poor representation of whatever that book actually was... combined with an imaginative fiction invented by Wilfrid (probably him), to "place" his "Roger Bacon Cipher Ms." in the Court of Rudolf II.
And I note here, too, that you have frequently projected that the Kircher Carteggio was "under lock and seal", and/or otherwise inaccessible to Voynich... all the while not pointing out that this is not supported or substantiated in any way. At all. It is at best a guess by you, and wishful thinking at that. The reality is that the Kircher Carteggio was and is in the Villa Mondragone! It was under the care of the Jesuits of a very active college, which had an open enrollment policy. It was even visited by tourists, and researchers, and exists in tourist guides by 1912... with pictures! And to think that somehow these letters, by their revered Jesuit polymath, Kircher, were somehow unknown and not studied by the staff of that college, is implausible to me.
Furthermore, the college was run by Voynich's friend, Strickland... who, along with his brothers (at least one of them), had been a student there in the past. So it is disingenuous to keep insisting that Voynich could not have been privy to the information in those 2000 letters, as we all know he put his feelers out all over Europe, to track down any volumes of interest.
But more to the point, why do you fail, over and over, to reveal that the letters were in the Villa Mondragone, and actually, plausibly, accessible to interested Jesuit scribes, and the contained information, therefore, directly or indirectly, available to Wilfrid Voynich? I would suggest that allowing people to know this immediately undermines the Genuine Old paradigm, for those very poor mentions are really the only provenance the Voynich has. That's it.
7) "Note also, that several other things cannot be found in the Kircher correspondence:
- Marci's inheritance of Barschius' books
- The name and identity of Dr. Raphael"
This is based on an illogical premise, and one that is not necessary to my hypothesis of a forged 1665 letter. The information listed above was available elsewhere, and so I in no way claim, nor was it necessary, for that information to BE in the Carteggio!
8) "The most important thing is: to find out about the roles of Marci and Kircher, and the fact that they had anything to do with the transmission of an undecipherable manuscript, one would have to search in the correspondence of Marci and Kircher."
Exactly. No argument there. And guess what? The absolute lack of the ability to find such "anything" supports my hypothesis... that these guys were discussing another book, another language, in those letters. And ironically, this "... most important thing" will never be found by anyone looking for only references to the Voynich, if my theory is correct: That is, anyone with such a pre-conception will not care about all the other texts referred to in the Carteggio, of which there are many examples. I and others have found several good candidates... so I do consider it "important", but am free of preconceptions, so I can consider all texts.
9) "It's a vicious circle. In short, in order to forge the Marci letter, one would have needed this letter in the first place in order to know what to write in it."
Well no, not at all. This is demonstrably an error on your part. It is also the "circular logic" I have been accused of, by you, but in no way practice. And the "logic" used here would render any forgery known to man suddenly genuine, because one could say, "XYZ cannot be a forgery, because the forger would need XYZ to know what to put in it".
The information in the 1665 Marci letter was a combination of imagined and invented, and traced, content gleaned from other, available sources. And a reminder, Wilfrid was one of a few dozen people in the world at the time, who we could imagine would be easily privy to the necessary ingredients: The Carteggio was kept a the Villa Mondragone, under care of a close friend; the information on the Baresch inheritance, and Dr. Raphael, available elsewhere, certainly to a prolific book seller; the somewhat skewed understanding of Roger Bacon was widely known. I'm currently working on a list of sources for a Voynich Hoax, and everything that anyone has so far imagined closely resembles anything in the Voynich, or to it's claimed "provenance", was readily available to Wilfrid.
10) "Let me add a picture of the manuscript collection in the archives of the Gregorian University. As a very rough guess, it is at most a quarter of the collection that was still hidden when they sold their old manuscripts to the Vatican. The Kircher correspondence (14 volumes) is somewhere among these. I don't think they are visible in this picture. I also think that all of these manuscripts were still packed in cases in 1912. Just 'bumping into' the various letters that are in three different volumes among these >2000 is certainly not realistic."
That is another "Straw Man" argument, because of course I don't feel it necessary to assume they were just "bumped into". As I pointed out, the Villa Mondragone was an active college, with Jesuit professors who would certainly have a great interest in the letters of Kircher. But now again you again invent this scenario, in new ways, "... all these manuscripts were packed in cases in 1912". "Cases"? And again, you feel a need to cloud the reality with this, "still hidden", and ... "somewhere among these", when you know they were in the Villa Mondragone?
In my List response, I added another point: "... long before the availability of internet or the WWW, in the 1960's, one author found, read and studied the Carteggio, and wrote about it, giving many examples from the collection. Did this author "bump into" the Carteggio? The techniques of research in the 1960's was not much unlike those of 1908, so the idea that it was impossible in 1908, but doable in the 60's, is implausible."
That the Letters were somehow inaccessible is an invention by you, with no evidence supporting it, and actually, on examination, the situation was reasonably quite the opposite. And as I also contend, if the "Voynich as genuine" theory needs to keep incorrectly projecting a Carteggio which was unknown, locked in a dusty trunk and inaccessible, then it shows a weakness to that theory.
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