dexdex > 21-08-2025, 06:26 PM
Koen G > 21-08-2025, 06:58 PM
proto57 > 21-08-2025, 07:21 PM
(21-08-2025, 06:58 PM)Koen G Wrote: You are not allowed to view links. Register or Login to view.My point is this: thinking of the VM as a fraud instead of trying to understand it as a product of its culture is anachronistic, and a wasted opportunity. Obviously we don't understand it yet, which is why its mystery endures. But approaching it within the context of early 15th century practices is probably the best way to go...
Quote:(I guess this post doesn't apply to you, Rich, since you think Wilfrid Voynich made it himself.)
Jorge_Stolfi > 22-08-2025, 09:38 AM
(21-08-2025, 02:35 PM)proto57 Wrote: You are not allowed to view links. Register or Login to view.The history of forged/fake/hoax/fraud books goes back practically to the invention of the book, and it was done for every motivation one can conceive of, and probably many that would elude us today: Recognition, politics, money, an expression of artistic skill, personal satisfaction... and really any combination of those. And, at every cost, and every skill level imaginable, on any material, old and new, and at every level of time and effort, for all the reasons we can imagine, and not.[ ... ] Every type of fake book and document was made for every single reason at every level of cost and time and every level of expected return from zero to a great fortune. [... ]Here is my "Forgery Bibliography" You are not allowed to view links. Register or Login to view. [ ... ] Here is one of my own examples of an "homage" book, made at great expense of materials, time and effort, simply for personal satisfaction. [ ... ] You are not allowed to view links. Register or Login to view.
ReneZ > 22-08-2025, 11:30 AM
dexdex > 22-08-2025, 12:24 PM
(22-08-2025, 11:30 AM)ReneZ Wrote: You are not allowed to view links. Register or Login to view.There are no thousands of fake books. There are thousands of fake items.
One can split these fake items up in two ways (or more, but let's just look at these two).
Split 1: perpetrated less than 150 years ago vs. more than 150 years ago
The vast majority is from the last 150 years, especially when it concerns art (including books and individual leaves).
I did not really check, but I believe that the examples from Rich are all from the last 150 years.
Split 2: the faked items are complete books, or they are something else
The vast majority of these fakes are not complete books. Yes, they exist, but I am aware of fewer than 10 in total, and these are all from the last 150 years.
Counter examples are really welcome, as far as I am concerned!
I think that one main point from Rich's longer post was that fakes aren't necessariy perpetrated for monetary gain.
This is certainly correct, and this was also part of the argument of the first post in this thread.
People who are looking at sales prices of manuscripts, and consider these a motivation for a fake, are omitting more than half of the equation.
Sale price does not equal profit.
Creating a fake manuscript is very difficult and costs money.
There is the risk of being caught.
There is the risk of the thing not being sold.
It is illegal or at least morally unacceptable (yes this matters to many people).
Direct question to Rich: do you consider that the book(s) sold to Rudolf for 600 gold pieces is/are a fake?
Mauro > 22-08-2025, 12:32 PM
(22-08-2025, 12:24 PM)dexdex Wrote: You are not allowed to view links. Register or Login to view.I think any Wilfrid related theory is fraught with the difficulty of the discovered corroborating letter. The quantity of parchment is also wholly improbable: if Wilfrid found this much untouched parchment it would honestly be worth more to sell it to other con-men as supplies, or produce smaller fakes inviting less attention. It could be that he had other reasons for crafting it the way it is, but the quality of the finished product doesn't support this.
dexdex > 22-08-2025, 12:44 PM
dexdex > 22-08-2025, 12:58 PM
(22-08-2025, 12:32 PM)Mauro Wrote: You are not allowed to view links. Register or Login to view.And why he took the pain to unbind and then rearrange and rebind the manuscript, cutting out leaves, adding new quire marks... a lot of evidence better explained by a manuscript with a long history.Here's a silly idea, incorporating the oriental ideas to my hypothesis: a con artist really did go somewhere oriental or met someone oriental, maybe even learned a few medicinal tricks. He then starts selling his knowledge; then, he stumbled on the idea of creating a manuscript, starting with a simple bifolio or two. He poorly mimics how an oriental language sounded to him with a simple system of word generation. Why? Perhaps he also had a system to 'read it' aloud and sound plausibly oriental.
It also leaves open the big question of how the text was created, with all its baffling statistical properties.