RE: Maps and merlons
R. Sale > 26-05-2020, 12:35 AM
Merlons is a topic from some investigations in the past, and since it remains of interest to me, and since the KBR is new (to me, again), and recently doing digital, I just thought, hey look, swallow-tailed merlons, in the Duke of Burgundy's library.
The images clearly do contain a bit more architectural fantasy than architectural reality. The drawings are a mixture, but they still reflect a reality. They substantiate the knowledge of their existence. But has the artist actually seen the merlons? Has the artist actually seen the muses or the cosmos? Maybe not.
There were a number of different crusades in history, so it's hard to get excited about one that didn't happen, but that is the situation regarding Philip the Good - as the main military support behind the two strongly pro-crusade popes of that time. It almost came together; then it fell apart. There is at least one other text (MS 9309-10) in the KBR exhibit that shows interest in the Outremer. The 213 texts constitute roughly a quarter of the original collection. Even so the exhibition has everything from Xenophon to Aristotle, the Oresme translation, Cicero and Seneca, Augustine, Boethius, Anselm, Petrarch, etc., histories and chronicles as far as Morea in Greece, multiple histories of Troy reveal a mythical tendency, copies of the Bible and discourses on philosophy. Filling in on some of the more obscure events of this time <Wikipedia> has made for some interesting investigation. The one thing I didn't get from Wagner's book on Philip the Good was any real connection to the religious side - excusable for a historian. The library has two versions (MS 6406; MS 10980) of Vie de soeur Colette, about the woman who founded the Colettine version of the Poor Clares, and was supported by the rulers of Burgundy. There is also an older text (MS 10419), Discours sur le tyrannicide, written by Jean Petit, as justification for the Burgundian assassination of Louis d'Orleans.
One of the more visually unusual is MS II 239 A 1460s copy of a text that was a century old.