Torsten > 19-08-2017, 01:25 AM
(18-08-2017, 10:45 PM)VViews Wrote: You are not allowed to view links. Register or Login to view.Hi Torsten,
to your post above, how would we know a Voynich feature is unique, without first carrying out an extensive survey to make sure nothing else is comparable?
I agree this leads us to a lot of dead ends, and I understand it may seem ineffective, but how else can we be sure of the uniqueness of any Voynich feature?
"Unknown" is after all a relative notion. What may seem unique to me because I don't know of anything comparable, can be well-known or familiar to someone with a different background or skill set.
IMO this makes nickpelling's point about "concerted attacks" the most promising avenue, and the collaborative potential of a forum like this one offers a great platform for such cooperation.
Emma May Smith > 19-08-2017, 01:31 AM
Koen G > 19-08-2017, 08:27 AM
Quote:While mainstream specialists in Etruscology have long since abandoned the etymological method in favour of the slow, rigorous work of the combinatorial method, the etymological method is still popular with amateurs and cranks wishing to prove a relationship between ancient texts and their favourite language.
VViews > 19-08-2017, 09:02 AM
MarcoP > 19-08-2017, 09:47 AM
Quote:We cannot perform any (additional) tests on the artefact.
Quote:There is no context at all. We know it was moved into Prague, at which time the ties to its origin had long been severed.
Quote:We don't know at all where it was made.
Quote:Manuscripts are not necessarily culturally and linguistically consistent or homogenous.
Koen G > 19-08-2017, 10:18 AM
Torsten > 19-08-2017, 10:21 AM
(19-08-2017, 09:02 AM)VViews Wrote: You are not allowed to view links. Register or Login to view.Torsten,
you said:
"The VMS has many unique features.... It would be probably much more effective if you would research the unique features of the VMS. "
And then:
"For researching a feature of the VMS it is not necessary to know if this feature is unique or not. *
Those two statements are contradictory and now this just doesn't make sense to me, sorry.
MarcoP > 19-08-2017, 11:29 AM
(19-08-2017, 10:18 AM)Koen Gh. Wrote: You are not allowed to view links. Register or Login to view.Hi Marco
I, in turn, disagree with your objections.
1) Emma was talking about following this method ourselves, so the fact that we don't have access to the artefact is a very real hindrance. Of course I do agree that we should be denied access to testing the VM at all costs. But the limitation remains.
(19-08-2017, 10:18 AM)Koen Gh. Wrote: You are not allowed to view links. Register or Login to view.2) There is still significant disagreement about the illustrations, and what is great about the approach people like Emma favor is that they circumvent this problem by studying the language-as-language. But yes, I personally think success will lie in a label-and-image-based approach. Still, this is much, much more complex in the VM than with, say, an inscription found in a nobleman's tomb.
(19-08-2017, 10:18 AM)Koen Gh. Wrote: You are not allowed to view links. Register or Login to view.3) We know almost nothing about where the manuscript was made. Its contents are almost irrelevant. Even within Europe, there would be a huge difference if it was made in Germany, England, Northern Italy, Sicily or Spain. And even if we knew the country, we still know nothing about the context. Some people seem to favor a lonely scribe in a mountain cabin, while others think of a monastic setting or a "secular" workshop.
Yes, there are indications, but this is again infinitely more complex than with an Etruscan inscription found in situ. I'm sure there are complex cases there as well, but there are plenty of inscriptions where the context is mostly clear.
Panofsky seems to have changed his mind about the manuscript based on the conviction that one of the plants was a sunflower and a German reading of the Mus Del marginalia. I have severe doubts about the sunflower, and German marginalia means that the manuscript passed through German speaking hands. His initial impression was a multi-cultural Spanish context.
And Touwaide and Toresella have done wonderful work in their own areas, but their statements about the VM have been vague, very careful or even in the negative about it belonging to known traditions. Do you really think they have provided sufficient argumentation to say that the VM has been made in x location?
Koen G > 19-08-2017, 12:06 PM
MarcoP > 19-08-2017, 12:11 PM
(19-08-2017, 12:06 PM)Koen Gh. Wrote: You are not allowed to view links. Register or Login to view.Marco
Your tone is polite but I find your way of arguing (here) somewhat unfair. I started my post by saying "Of course I do agree that we should be denied access to testing the VM at all costs". This should make it clear to you that I do not want to test the VM myself. How would I do this without proper knowledge and material?
The fact that we are not in a position (not allowed and not able) to test the manuscript is a limitation we have to deal with. Archaeologists studying Etruscan artifacts just have much more concrete information about the origin of the object than we do, and their position (as professionals) might allow them to commission tests in some cases.
Yet your reply is drenched in the strawman argument that I want to test the VM myself - it's rather difficult to argue about the matter at hand in this way.