kckluge > 29-03-2026, 02:47 AM
kckluge > 29-03-2026, 03:06 AM
(02-12-2016, 08:28 PM)-JKP- Wrote: You are not allowed to view links. Register or Login to view.To me, nothing about the You are not allowed to view links. Register or Login to view. on the left resembles 15th-century works—not the pigments, not their application, not the style of drawing, not the way the pen is used or the ink (it looks more like India ink than gall ink), or the way the hatching is applied, but it hit me out of nowhere (while I was looking at an unrelated 12th-century manuscript) that something about the roots of the claimed VMS page nevertheless reminded me of Spenser MS 65 (middle left), Cadamosto (middle right), and a few of the other illustrators working in the late 15th and 16th centuries. The one on the far right, from Augsburg (BSB Cod.icon.26, c. 1520s), is probably the most similar in terms of the hatching and the light application of pigment to the root.
Koen G > 29-03-2026, 03:15 PM
Fabrizio Salani > 29-03-2026, 09:23 PM
(29-03-2026, 02:47 AM)kckluge Wrote: You are not allowed to view links. Register or Login to view.*If* it's a 20th or 21st century copy, there are a limited set of options for the source it was created from given that it appears to have been copied using some sort of optical projection:
1) From the object itself -- vanishingly small probability once Yale acquired it, maybe pre-Krauss (but I'd say an unlikely maybe).
2) From the rotographs of f1-56 deposited with the British Library. This can be eliminated because f14v/f15r are missing from the scans (You are not allowed to view links. Register or Login to view.).
3) From an n-th generation copy of the pre-Yale photos (these got passed around prior to Yale posting the color scans online because before they gave Takahashi permission for his transcription it was an explicit condition of obtaining a copy of the Yale microfilm/copyflo that it couldn't be used to create a machine-readable transcription). I don't know what You are not allowed to view links. Register or Login to view. looked like in these.
4) From the Yale microfilm or a copyflow print from that. This is a screenshot from a PDF containing scans of a copyflo copy from the old Yale microfilm (so some degree of degradation relative to the original copyflo) of f14v:
Are there any features in the copy of the page (copying errors in the text in areas where the copyflo is hard to read, for instance, or matching distortion relative to Yale's color scans) pointing to use of the Yale copyflo?
(and, of course: 5) From one of the sets of color scans Yale did.)

Bernd > 29-03-2026, 09:59 PM
Koen G > 30-03-2026, 05:26 AM
nablator > 30-03-2026, 09:03 AM
(30-03-2026, 05:26 AM)Koen G Wrote: You are not allowed to view links. Register or Login to view.I did just notice that voynichese.com cuts off the root. Was this around already before 2013?
Quote:Create Date 2013-12-08You are not allowed to view links. Register or Login to view.
Quote:The new website You are not allowed to view links. Register or Login to view. is a wonderful tool for seeing patterns of signs and words in Voynich text
Fabrizio Salani > 30-03-2026, 09:17 AM
(30-03-2026, 05:26 AM)Koen G Wrote: You are not allowed to view links. Register or Login to view.Nice work, Bernd. One thing I notice is in the number of dots in the center of the inflorescences. There are always there dots, yet in the degraded copy, it sometimes looks like there are two. The Salani copy also has two with only two dots, in corresponding places.
Now when talking about the direct use of scans, I guess the 2004 ones should be preferred since we know the parchment existed before 2014.
I did just notice that voynichese.com cuts off the root. Was this around already before 2013?
eggyk > 30-03-2026, 09:25 AM
(29-03-2026, 09:59 PM)Bernd Wrote: You are not allowed to view links. Register or Login to view.Do we have a higher quality copy of the Yale microfilm?
(30-03-2026, 09:17 AM)Fabrizio Salani Wrote: You are not allowed to view links. Register or Login to view.I found this Japanese site that provides B/W images of (I think) the MS microfilm and they are of good quality
eggyk > 30-03-2026, 09:46 AM
(29-03-2026, 09:23 PM)Fabrizio Salani Wrote: You are not allowed to view links. Register or Login to view.Yes, these are theories I've heard before, and they're all American in origin. They don't take into account the fact that the parchment was located in Italy, inside a "madia" at an antiques market in Narni, Umbria. That said, we can hypothesize that a 20th-century "American" created the parchment, brought it to Italy, and placed it in a "madia" in Narni, hoping someone would find it and, more importantly, recognize it. Now, given that the theories about the manuscript's creation (from what I've read) range from the Cathars, to Nostradamus, to a young Leonardo da Vinci, to Filarete, to Woynich himself, and to aliens, then this American theory also has some plausibility.
For example, regarding the "Narni" story, some have challenged me, saying, "But you're the one saying that; there's no real evidence for what you're claiming." True. You have the financial means to have it made by one or more skilled forgers. This is also true (even though I don't know any forgers).
Motivations?
1 - As a joke. Thanks, but I have other things to do than make fun of people, and my morality and seriousness (in every human and professional field) cannot be questioned.
2 - To deceive MS scholars. Scholars weren't waiting for a Fabrizio Salani, and in any case, if you're a serious scholar, you do your research and then draw your own conclusions, and if you're a scientist, you want scientific proof, not words.
3 - To sell it and defraud a buyer. I've never tried to sell it, and in any case, IT'S NOT FOR SALE (no ifs, ands, or buts).
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