(09-07-2026, 05:40 AM)JoJo_Jost wrote: You are not allowed to view links. Register or Login to view.What a fascinating and amazing piece of work. I can sort of imagine how much work went into it, since I also “copied” a few lines at the beginning to get a feel for the script. But to copy the entire work? Phew, that’s impressive. And it turned out so beautifully, honestly!
I think some people here would be interested to know how many hours you spent on it? Just to get a rough idea of how long it takes to copy something like this.
Did you “time” it somehow?
And one more question: Did you also get the impression that it was easier to write the glyphs, how should i say: backwards?
Roughly timed only, and all time is for a singular "foldout"? Not quite sure how to describe that.
- The text only pages take from 30-45 minutes to copy.
- The plant pages usually took about 2 hours.
- The Nymph pages and "Recipe" pages were probably in the 1.5 hour range.
- The Rosette map was easily 8 hours just for the line work - haven't started painting it yet.
- The Astronomy pages were probably 2 hours for the zodiacs or anything else with all of the tiny star-nymphs - I'm guess wildly here because the sheer amount of tiny little naked ladies (538) turned into a bit a a marathon over the last three months.
- Maybe an hour a piece for the non-nymphs Astronomy rosettes.
I'm probably underestimating all of those times, so 400 hours of work on the short end. Possibly 500 hours - I could easily be underestimating all of that by 30 minutes a page.
Also, there are transcription errors in my copy. It was incredibly easy to get lost in the Voynichese and repeat a part I already copied, or skip a line. If I'd gone back and redone those places, I can't even imagine. I've left all of those transcript errors and spilled paint and ink drops in place.
I've never attempted writing any of the script backwards - the idea of that hurts my brain
I have some videos I took of some pages while I was working them. The script wrote incredibly naturally for me.


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