11-06-2024, 08:27 PM
While some investigators have indicated a lack religious references in the VMs, there may be more than those two crosses first recognized as potential objects of reference to medieval religious beliefs, but their full interpretation remains unclear.
Something that goes unnoticed, because it is not present, is the 'absence' of planetary spheres in the VMs cosmos. What is revealed by this absence? The "scientific" knowledge of the planetary spheres is simply not presented.
This simplified structural representation of the universe is seen in the cosmic diagrams from BNF Fr. 565 and Harley 334, which share a (1400-1450) provenance that starts in Paris. The VMs artist adopts the cosmic structure, totally alters the appearance, and then plays hide and seek with the 43 undulations that match the 'Oresme' version from the BNF. It's as clear as the cosmic wheel that some level of deception has been used. The use of duality on VMs White Aries was intentional and the prior placement of the two tubs with the papelonny patterns was no accident.
The VMs cosmos shares the structure of the anti-scientific *Parisian* cosmic diagrams produced coincident with the VMs C-14 dating. After the French disaster at Avignon (1415), many noble families were headed by women. BNF Fr. 565 went to Marie de Berry who was Duchess of Auvergne.
Does the potentially anti-scientific VMs cosmic diagram indicate the possibility of a more pro-religious inclination for the VMs text in general?
Something that goes unnoticed, because it is not present, is the 'absence' of planetary spheres in the VMs cosmos. What is revealed by this absence? The "scientific" knowledge of the planetary spheres is simply not presented.
This simplified structural representation of the universe is seen in the cosmic diagrams from BNF Fr. 565 and Harley 334, which share a (1400-1450) provenance that starts in Paris. The VMs artist adopts the cosmic structure, totally alters the appearance, and then plays hide and seek with the 43 undulations that match the 'Oresme' version from the BNF. It's as clear as the cosmic wheel that some level of deception has been used. The use of duality on VMs White Aries was intentional and the prior placement of the two tubs with the papelonny patterns was no accident.
The VMs cosmos shares the structure of the anti-scientific *Parisian* cosmic diagrams produced coincident with the VMs C-14 dating. After the French disaster at Avignon (1415), many noble families were headed by women. BNF Fr. 565 went to Marie de Berry who was Duchess of Auvergne.
Does the potentially anti-scientific VMs cosmic diagram indicate the possibility of a more pro-religious inclination for the VMs text in general?