23-03-2024, 11:38 PM
I have to agree with Koen. If the experts knew about medieval cosmic diagrams, why call the VMs cosmos Andromeda? Why did it take so long to find the historical connections to BNF Fr. 565 and Harley 334?? And Shirakatsi's wheel?
How did the experts miss the mythical story of Melusine? And why did they ignore the armorial and ecclesiastical heraldry that intimates a person historically connected to Roger Bacon, when it was the intent to connect the VMs with Roger Bacon?
The VMs artist knows quite a bit about the realities of the 1400 to 1450 (maybe) era. It is the investigator, not the artist, who must learn the details of the Melusine myth and its Valois connections. And the same goes for sleeves, hats, cosmic diagrams, and so on. These are independent investigations that turn out to be mutually compatible with the C-14 dates. How does that happen? How did it happen unbeknownst to, or at least never mentioned by the 'experts'?
How did the experts miss the mythical story of Melusine? And why did they ignore the armorial and ecclesiastical heraldry that intimates a person historically connected to Roger Bacon, when it was the intent to connect the VMs with Roger Bacon?
The VMs artist knows quite a bit about the realities of the 1400 to 1450 (maybe) era. It is the investigator, not the artist, who must learn the details of the Melusine myth and its Valois connections. And the same goes for sleeves, hats, cosmic diagrams, and so on. These are independent investigations that turn out to be mutually compatible with the C-14 dates. How does that happen? How did it happen unbeknownst to, or at least never mentioned by the 'experts'?
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