05-10-2026, 12:51 PM
And I would like to add one observation.
The Voynich artist seems to use a lot of references for his art. He copies and mixes stuff from books about:
- herbals
- bathing (De Balneis)
- bestiaries (Buch der Natur)
- machines and architecture (Taccola)
- possibly religious books
But if he wanted to make a book about fortune telling and contacting spirits he possibly lacked one crucial referrence.
He lacked what he really needed - a book about fortune telling and contacting spirits
If he was some student or low level monk then he couldn't find such a book in the university or monastery library. It was a suspicious stuff and any respectable library wouldn't hold it. They would be rather eager to burn it.
So he needed to rely on other books and some verbal hints from the charlatan who had seen such things at other charlatans but wasn't able to borrow such a manuscript for a while.
It may expain to some part why the imagery isn't obviously related to fortune telling and spirits. The artist possibly was asked to draw something that he had never seen. Imagine that someone asks you to draw illustrations to the book about the life of Buddha and all you have seen are illustrations about the life of Jesus. What would you draw? Would the viewers identify the person from your illustrations as Buddha or rather as Jesus if they couldn't read the text?
The Voynich artist seems to use a lot of references for his art. He copies and mixes stuff from books about:
- herbals
- bathing (De Balneis)
- bestiaries (Buch der Natur)
- machines and architecture (Taccola)
- possibly religious books
But if he wanted to make a book about fortune telling and contacting spirits he possibly lacked one crucial referrence.
He lacked what he really needed - a book about fortune telling and contacting spirits

If he was some student or low level monk then he couldn't find such a book in the university or monastery library. It was a suspicious stuff and any respectable library wouldn't hold it. They would be rather eager to burn it.
So he needed to rely on other books and some verbal hints from the charlatan who had seen such things at other charlatans but wasn't able to borrow such a manuscript for a while.
It may expain to some part why the imagery isn't obviously related to fortune telling and spirits. The artist possibly was asked to draw something that he had never seen. Imagine that someone asks you to draw illustrations to the book about the life of Buddha and all you have seen are illustrations about the life of Jesus. What would you draw? Would the viewers identify the person from your illustrations as Buddha or rather as Jesus if they couldn't read the text?



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