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Alchemical Symbolism in the VMS - Printable Version +- The Voynich Ninja (https://www.voynich.ninja) +-- Forum: Voynich Research (https://www.voynich.ninja/forum-27.html) +--- Forum: Voynich Talk (https://www.voynich.ninja/forum-6.html) +--- Thread: Alchemical Symbolism in the VMS (/thread-1745.html) |
RE: Alchemical Symbolism in the VMS - Barbrey - 30-10-2024 (30-10-2024, 05:38 PM)bi3mw Wrote: You are not allowed to view links. Register or Login to view.@Barbrey: Here are a few interesting aspects on the representation of hermaphrodites in alchemy ( reference to your post #233 ). I translated the paper from German to English using Deepl ( so it's not perfect but good enough ) : Such an interesting article! Thank you so much for the translation! RE: Alchemical Symbolism in the VMS - Barbrey - 30-10-2024 (30-10-2024, 06:28 PM)nablator Wrote: You are not allowed to view links. Register or Login to view.(30-10-2024, 04:52 PM)Barbrey Wrote: You are not allowed to view links. Register or Login to view.Hi nablator! You have to remember that the Book of the Holy Trinity seems to have about 20 different versions - I try if I can to use the earliest, the Munich version, which Barbara Obrist dated to 1420. No, you are right, it should be Nürnberg. Sorry, that’s what I get for writing off the top of my head. I did get my pictures from Adam McLean’s site on The Two Hermaphrodites here: You are not allowed to view links. Register or Login to view. Re naming conventions: every scholar I’ve read calls them hermaphrodite, androgyne or rebus; you can find an alternative if you like. The article bi3mw just posted goes into at length the origins of this figure. RE: Alchemical Symbolism in the VMS - Barbrey - 30-10-2024 (30-10-2024, 06:56 PM)BessAgritianin Wrote: You are not allowed to view links. Register or Login to view.There is alchemy in Voynich Science Manuscript. I agree Bess. I’d go so far as to say that entire balneological section is about alchemy/medicine with a focus on transformation (the Ovid stories), the quintessence or water of life, and the various chemical processes and equipment needed in distillation. (30-10-2024, 08:09 PM)nablator Wrote: You are not allowed to view links. Register or Login to view.(28-10-2024, 09:53 PM)Barbrey Wrote: You are not allowed to view links. Register or Login to view.I don’t remember, R. Sale, and the free copy of the article I found has been taken down. It’s $40 on Brill (which my small college’s library does not have access to). RE: Alchemical Symbolism in the VMS - nablator - 30-10-2024 (30-10-2024, 08:40 PM)bi3mw Wrote: You are not allowed to view links. Register or Login to view.My favorite dragon (if you can even call it that). Manchester, John Rylands University Library, German. MS 1, late 15th c. RE: Alchemical Symbolism in the VMS - bi3mw - 30-10-2024 (30-10-2024, 09:35 PM)nablator Wrote: You are not allowed to view links. Register or Login to view.Manchester, John Rylands University Library, German. MS 1, late 15th c. You are not allowed to view links. Register or Login to view. RE: Alchemical Symbolism in the VMS - Barbrey - 30-10-2024 (30-10-2024, 08:09 PM)nablator Wrote: You are not allowed to view links. Register or Login to view.(28-10-2024, 09:53 PM)Barbrey Wrote: You are not allowed to view links. Register or Login to view.I don’t remember, R. Sale, and the free copy of the article I found has been taken down. It’s $40 on Brill (which my small college’s library does not have access to). Ha, yes it is risky as well as more tentative than the assertion sounded perhaps. However, to my mind the VMS authors likely had never seen the Buch. It’s not the illustrations I believe are similar; I think the authors of each were working with similar ideas, and as they’re of similar periods and possibly locations, some similarities in concept are likely identifiable but not identical in the two. I already had a working hypothesis that the blue and green waters were possibly celestial/fantastical and earthly. Thus, when I reached the end of the Hermaphroditus tale, I wondered: why is the hermaphrodite (no apologies for using the term!) standing in green water? I turned to other pictures of the hermaphrodite, and the ones I viewed, including some in the Buch, all had the hermaphrodite standing on a green dragon, or if the dragon was not green, it was against the backdrop of a green hill. I looked into it and that’s when I found that dragons not biting their tails were usually symbolic of prima materia. So it’s more the positioning of the hermaphrodite that I thought comparable. One on a dragon symbolizing prima materia, signifying the emergence of the philosopher’s stone from its origin; the other from a green pool of water in a book with a hundred pages of plants - what other colour but green would be used to signify prima materia of a vegetative nature? - signifying the same thing. If anything, I find the VMS illustration more straight forward than the others. The half-in, half-out positioning, which will be repeated on the following page with Melusine and her fish, includes the additional meaning that philosopher’s stone was already present in the prima materia; it just took the alchemical arts to distill it. The article you asked about is called “The Alchemical Transformation of Melusine” in a collection of essays called Melusine’s Footstep. The essays trace the changing symbolism of Melusine in late medievalism and the Renaissance. RE: Alchemical Symbolism in the VMS - Barbrey - 30-10-2024 (30-10-2024, 08:40 PM)bi3mw Wrote: You are not allowed to view links. Register or Login to view.My favorite dragon (if you can even call it that). And wouldn’t you call it green, lol? I mean I would if it were coming at me, I might not see its white underbelly! RE: Alchemical Symbolism in the VMS - Barbrey - 31-10-2024 (30-10-2024, 05:33 PM)RobGea Wrote: You are not allowed to view links. Register or Login to view.These last few posts caught my eye, so i will cheekily add my two penn'orth. I like ‘plant sap’ the best, of course. Just to confirm about vitriol and aqua regia: a green lion on its own might be vitriol, but when swallowing the sun it should be viewed as aqua regia because it can dissolve gold? That makes too much sense for alchemy! RE: Alchemical Symbolism in the VMS - nablator - 03-11-2024 (30-10-2024, 05:04 PM)Barbrey Wrote: You are not allowed to view links. Register or Login to view.I’ve seen speculation regarding the green lion and dragon being conflated, but no confirmation, and to my mind they are almost opposite in idea. The confirmation is in closely related recipes of the 'vegetable' stone. The first step is to extract the blood of the green lion (see the blood exuding from the green dragon in Ripley's scrolls?) by dissolution in vinegar and distillation according to the Verbum abbreviatum de leone viridi attributed to Raymond Gaufredi (Raymundus Gaufridus) who allegedly got the recipe firsthand from Roger Bacon back when alchemy was the favorite hobby of monks. There are several surviving manuscripts of the 15th century, I don't know if any older ms. exists. Probably not. From the You are not allowed to view links. Register or Login to view., the English translation published in 1685 of the You are not allowed to view links. Register or Login to view. of the Verbum abbreviatum: Quote:In the Name of Christ then, take a great quantity of the strongest Vi∣negar diligently distilled through an Alembick, in which dissolve a good quantity of the Green Lyon, being dissolved, distil through a Filtre, and keep it in Glass Cucurbits well stopp'd: If any re∣markable part of the Lyon remains undissolved, dissolve it with the aforesaid Vinegar, and distil through a Filtre, and being dis∣solved, joyn it with the other Waters before reserved in the Cucurbits, then take the reserved Waters (dissolutions) and distil them all in Balneo Mariae, applying Alembicks to them well luted, that the Cucurbits may not respire, put Fire under, and receive all the Waters, which will be distilled, but have a care that the dissolved Lyon be not altogether congealed in the Cucur∣bits, but that it may remain liquid or soft; then take all the Cu∣curbits, and put all that is in them into one Cucurbit, which lute well with its Alembick, and put it in a Furnace of Ashes, as is fitting, and put a gentle Fire under, because of the temper of the Glass, and because of the Heterogeneous moisture, which is in the Lyon to be rooted out: And take notice, that must be always done with a gentle Fire, but when the Heterogeneous moisture is gone over, strengthen the Fire by little and little, and have an Eye continually to the Beak of the Alembick, if a red Liquor begins to go over, but if it does not yet go over, con∣tinue the aforesaid Fire till it doth; but when you see the red Li∣quor distil, change the Receiver forthwith, and lute it well to the Beak of the Alembick, and then strengthen the Fire, and you will have the Blood of the Lyon exceeding red, containing the four Elements, very odoriferous and fragrant (after due putre∣faction) keep it therefore in a good Phial well stopp'd: Then take the Blood, and put it in a Phial close stopp'd to putrefie and digest, in hot Dung, changing the Dung every five Days, there to be digested for the space of fifteen or sixteen Days, and this is done, that the Elementary parts may be dissolved, and be fitter to be divided into the four Elements, and that by distillation; being putrify'd fifteen or sixteen Days, take it out, and put it into a sit Cucurbit, to be distilled with a gentle Fire in Balneo Mariae; I bet antimony was inserted into the older recipe based on sericon (see Jennifer Rampling's note 10 below) in this 1683 edition of You are not allowed to view links. Register or Login to view.: Quote:First take 30 pound weight of Sericon or Antimony, which will make 21 pound weight of Gum, or near thereabouts, if it be well dissolved, and the Vinegar very good, and dissolve each pound thereof in a Gallon of twice distilled Vinegar when cold again, and as it standeth in Dissolution in a fit Glass Vessel, stirr it about with a clean Stick very often every day, the oftner the better, and when it is well moulten to the bottom, then filter over the said Liquors three several times, which keep close covered, and cast away the Feces, for that is superfluous filth which must be removed, and entreth not into the Work but is called Terra damnata. Quote:One basic recipe for the vegetable stone, found in hundreds of permutations in alchemical literature, employs a metallic body called ‘sericon’ as its prime matter: usually taken to denote minium (red lead). The minium is dissolved in strong wine vinegar, and the resulting solution heated until a thick gum remains in the bottom of the glass.10 When distilled, the gum yields a white vapour, the fumus albus, which is collected in a receiver and condensed to form a liquid, which is then subjected to further procedures. Owing to the circumstances of its manufacture, the vegetable stone was regarded as combining both mineral and vegetable qualities. In this form, it was regarded as a safe and legitimate product for human consumption, and therefore provided one basis for the medicinal aurum potabile—an objective which cannot have been assisted, in practice, by the use of toxic lead compounds.You are not allowed to view links. Register or Login to view. A variant by Samuel Norton: Quote:Based on his close reading of Raymond’s Epistola accurtationis, Ripley’s Medulla, andYou are not allowed to view links. Register or Login to view. RE: Alchemical Symbolism in the VMS - Barbrey - 04-11-2024 Interesting stuff! Thanks for posting. I have read some of those passages before but as my focus was not primarily on practical alchemy, I missed that entirely. I do think if people start taking alchemy as a topic, particularly people like Jennifer, that permeates the VMS, more and more of these detailed processes will be found in the images. That’s my aim, if I have one:I don’t want alchemy dismissed, because the VMS often uses its own symbol, not used before, as metaphors. For instance, once a reader understands the nymphs not as mythical creatures, or even female, but as substances, defined by narrative, context or accoutrements, the entire balneological section, as well as pages of the zodiac, take on an entirely new meaning. The only thing the nymphs have when naked and apart from the aforementioned, are pregnant bellies, signifying life or reproduction. If you think of them as substances, like sulphur, mercury, possibly the elements, and definitely the water of life/quintessence, everything starts to come into focus. I will give you an example: I believe starting at the bottom of the “Melusine” page, reading up, then reading down the prior page You are not allowed to view links. Register or Login to view. or the Hermaphroditus page, one can read a summary of the alchemical Magnum Opus, the Great Work, including the most important three stages: Nigredo (Black),Albido (White), and Rubedo (Red). I’ve only come to this theory recently, but a conversation with Koen about one of the images has made me almost certain I am on the right track. I will post the key points with images later. But since you seem to know the images, nablator, I will begin with the “Melusine”page on f79v. The bottom image is a green pool of water with animal bodies, among which is a nymph rising out of a fish. She is looking upwards as if she wants whatever is up there. So let’s put this in alchemy terms, ignoring “Melusine” in search of a soul entirely. As I stated before, the green pool can be seen as prima materia. The animals are symbolic of “bodies” in the prima materia. The fish is one of those bodies, but a different type of body to signify one of the three most common substances in alchemy: salt. Salt symbolizes the body in alchemy. Specifically sea salt, thus the fish. . “Melusine” is just a substance that must be separated from the salt or body. In alchemy, her substance at this point should be a combo of sulphur, mercury, a bunch of other things and impurities. The goal of alchemy is to take this mass,which contains the quintessence, isolate sulphur and mercury, separate them, modify them, and put them back together again as the philosopher’s stone/quintessence. Let’s move up to what look like pipes and then a nymph or substance. I believe this is representative of various practices to distill or sublimate the hybrid substance. Notice that the green changes to blue water in the pipes. Think of the substance/nymph coming out of this process with all impurities washed away, leaving only the two necessary substances - sulphur and mercury, the incipient, potential water of life, behind, thus the water becomes blue. Up we go to our dead character. Death in alchemy is the signature of the Nigredo phase in alchemy, which is what we’ve been following, but it’s this figure that really alerts the reader because this is where the substance turns black. In alchemy, it’s often symbolized by a skeleton, a black raven, other black animals, the death of a king, entombment, or just as here, a dead figure. This step is putrefaction. Basically the mass is left to rot for, traditionally, 40 days and it turns black. But there’s more with this symbol. Koen directed me to a very compelling illustration that looks exactly like this nymph (I will insert it later when I have more time to play with inserting links and illustrations). The Whore of Babylon. I can’t think of a more apt character to symbolize the rot and corruption of this step. Now it’s during this step that the peacock or rainbow sub-stage occurs. The VMS authors have left it out but you can see it at the bottom of You are not allowed to view links. Register or Login to view. . The black mass becomes very oily so that you can see rainbow colours in it. This oily substance and the remainder are separated, and a “resurrection” (symbolized by the nymph with cross) occurs: the sulphur and mercury are resurrected as two separate substances, thus beginning the albedo phase, which can be followed at the top of You are not allowed to view links. Register or Login to view. and then the Rubedo phase to complete the process in what I interpret as the story of Hermaphroditus. Will end here. It’s highly speculative and I’m not sure anyone else can see it but me! But I have studied semiotics, and immersed myself in alchemical imagery, so I hope this interpretation, faulty as it may be, can be taken seriously. |