+- The Voynich Ninja (https://www.voynich.ninja)
+-- Forum: Voynich Research (https://www.voynich.ninja/forum-27.html)
+--- Forum: Theories & Solutions (https://www.voynich.ninja/forum-58.html)
+--- Thread: No text, but a visual code (/thread-2384.html)
Pages:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
RE: No text, but a visual code - chrisj - 15-03-2026
There may be a way to still test this, if it's true, and if a potential theory is that it's word replacement instead of character replacement. It could potentially be that CURRIER A pages translate into one langauge and CURRIER B apges trnaslate into another. This could then still allow for the "Voynichese" to potentially translate similar styled words to th e same voynichese words but allow for what Curirer found and have diffrent fequeneices of character gylphs apear in "A" dedciated pages and "B" dedicated pages.
In fact if it was a langauge similair to another lanagueg like Italian/Latin/ for example, this could potentially explain this!?
RE: No text, but a visual code - Antonio García Jiménez - 15-03-2026
Anyone can enter this forum and share their theories about the Voynich, but please do so in your own thread.
I'm repeating my previous post because I don't want it to go unnoticed and because I'm sure there will be those who will reflect on it:
In the Voynich script there are e, ee, eee, eeee, and also ch, sh, s and also the pedestal gallows with the same shape underneath.
It seems that whoever designed the glyphs had little imagination or, on the contrary, repeated shapes because they were following a clear idea in their mind. If the prejudice of searching for a language in the Voynich did not exist, and its important astrological content were taken into account, it would be clear that what the designer of those glyphs had in mind was the path of the moon and its different positions in its orbit, in its journey along the ecliptic.
The benches are two joined e because they represent the moon's position in major astrological aspects, one for each hemisphere. And in the pedestal gallows, the moon is below the sun.