Anton (and others)
Thank you for these comments; it was a pleasure to read them.
From my point of view it is absolutely true what Anton says about every professional working within certain limits - which means their opinion always has its limitations.
In my own area, there usually comes a point where the comparative reach which is a benefit overall, needs additional advice from someone who works within a more limited framework of period and/or geography. At other times, the same comparative reach means that one has to contradict the ideas of someone working with more limited horizons. For example, a specialist in medieval Christian art might attribute the figure of St.Michael to Celtic and/or Byzantine origin, whereas in fact we have imagery of that Great Angel from as early as the 7thC BC. It simply became Christianised.
That is why a specialist in western Christian art, presented with a figure of that sort, might consider the range of forms known to them within their own field of specialization, and identify the figure as "St.Michael" because they know nothing else that is similar in medieval Christian art. And they would be mistaken; the piece might be Lucanian Greek of the 5thC BC, a precursor of Michael, but no Christian saint.
The reason that I place such weight on the first, unforced opinion given by Irwin Panofsky to Nill, is precisely because he was that rare person who is both a specialist in comparative study (within European art) and also a
particular specialist in German medieval art, and he had mastered all the necessary texts which underpin that range of imagery - the classical works, their languages, the religious texts, theologians' writings, poetry and more.
The single greatest error, I find, in amateurs who try to "match the picture" on a purely superficial level is that they seem to have no conception of the fact that a picture is a form of encoding, and speaks the visual and even the verbal language of its makers and
their intended audience. To appreciate the content in an image, you can't just "look" or look for something which seems "look-alike" from the point of view of your own native culture: you have to learn to read ~ effectively to decode the imagery, to recognise the language in which it was first enunciated. I say 'first' because imagery evolves - also like language - and if you're lucky still carries the evidence of its evolution.
So when an expert of Panofsky's calibre says, in effect, that the imagery is not Latin Christian nor German, but southern and Jewish - then I pay attention.
One definition of an expert, it is said, is that they can recognise another expert.
