18-03-2024, 09:14 PM
(18-03-2024, 04:16 PM)pjburkshire Wrote: You are not allowed to view links. Register or Login to view.What approach do you recommend should be taken?
That is a good question, with a long answer that probably deserves a whole essay. But very briefly put, I see it as follows.
First, it depends whether we are talking about the text or the images. Let's start with the text. The current consensus among people who understands the statistics behind Voynichese is that it cannot be a one-to-one mapping of a natural language. So a solution there should spend a lot of its initial effort in understanding which kinds of systems could lead to the various unusual properties we see in Voynichese.
Among theories claiming to have found meaning in the manuscript, we see two main categories, depending on the mechanism that drives the solver's confirmation bias:
1) the solver cherry-picks words that fit in their narrative, thus feeding an ever intensifying spiral of confirmation bias. Do not ask these people to translate a full page - they have a range of standard excuses available for why they can't.
2) the solver does translate entire passages, but the translation is not repeatable. For example, there is usually an interpretative step, whereby the solver builds in enough freedom to unknowingly turn the "translation" into a creative writing exercise. Again, these people are the victim of confirmation bias. They fail to notice that the interpretative step allows them to choose what they want the text to be about, and instead they only experience the feeling of success after completing a translation. The result is invariably a string of ungrammatical garbage, but they do not notice this either since they lack proficiency in their chosen ancient language.
So to people working on the text, my advice would be to read up on the statistical oddities of Voynichese and the challenges we are dealing with. Then go to work with these problems. Example from my own experience: in 2020 I got obsessed with Voynichese's notoriously low conditional character entropy, so I did a bunch of You are not allowed to view links. Register or Login to view. just about that. Most people seriously working on the text are doing all kinds of tests and analyses like these (though much more capably than mine). The thing to understand with this kind of research is that it does not offer instant solutions. It is more like a little building block that may or may not be used by others. That is how I see our understanding of the text progressing, and how we may one day find a solution, if there is any meaning to the text at all.
Now when it comes to the images, things are more complicated. Sometimes, a picture is all we have, and the art historian needs to interpret certain elements. He will do so with reference to relevant sources though: textual sources, comparable images... With the VM, this part is extremely hard, which may be why art historians tend to shy away from the subject (or remain very brief in their commentary). Usually, papers about Voynich imagery do not pass academic peer review.
Here, too, my personal favorite approach is that of providing smaller, but more certain building blocks. When I have a good idea, I also like to get the input of others, in an attempt to thwart any confirmation bias I might have of my own. In 2018, I made a thread on the forum asking people to collect all examples of "baggy elbowed" medieval dress they could find - those deemed similar enough to the dress of the VM crossbowman. I then collected all manuscripts and their dates. It turned out that there is a peak in popularity of this style of dress in the 1400-1430 period, overlapping nicely with the VM radiocarbon dating: You are not allowed to view links. Register or Login to view.
Another example is the You are not allowed to view links. Register or Login to view. of manuscripts and extant buildings with swallowtail merlons.
What these projects have in common is that they ask a question, and then try to answer that question as objectively as possible. This can even be applied to more interpretative theories. Ask questions and find the answers. Think a folio from Q13 looks like ovaries? Alright, what did medieval depictions of ovaries look like? What did they write about ovaries?