25-02-2023, 09:21 PM
There are three systems of numerical interpretation that can be applied to the VMs glyphs. The systems used are the Greek, Roman, and medieval numerical systems and their symbol sets. The location where this is seen is in VMs f57v, in the circular band known as the '4 by 17 symbol sequence', and is focused on the first five symbols in that sequence, which are known in EVA as o, l, d, r, and v.
Beginning with the fifth symbol, the VMs glyph has the form of an inverted 'v'. In Greek this would be lambda. In the Roman interpretation it could also be a letter or a number written upside down. In the set of medieval numerical symbols as seen on Typus Arithmetica, this is the numeral for seven. While visual interpretations probably need to be seen as subjective, there is obviously reason to agree with these well-known possibilities. Still the question remains whether these symbols can be evaluated by subjective interpretations.
So, the VMs provides further proof. In the VMs system, the first glyph is comparable to the letter omicron in the Greek alphabet. The presence of three intervening symbols between lambda and omicron is correct in the Greek system, as is the ability to read in either direction.
Likewise, the second symbol in the VMs system is comparable to the numeral for four in the medieval system and the placement relationship between 4 and 7 shows the expected two spaces in the proper direction.
Finally, in the Roman system, the fifth VMs symbol might be the Roman numeral for five, inverted and located in place of the *fifth* VMs glyph. Five in the fifth position.
In each case, the visual interpretation of the VMs glyph is supported by a positional component. That is, each subjective, visual interpretation is supported by an objective, positional confirmation in the relevant system. All three systems of interpretation run along the same set of VMS glyphs. I believe this is a deliberate construction in need of further investigation - a puzzle in need of a solution.
Beginning with the fifth symbol, the VMs glyph has the form of an inverted 'v'. In Greek this would be lambda. In the Roman interpretation it could also be a letter or a number written upside down. In the set of medieval numerical symbols as seen on Typus Arithmetica, this is the numeral for seven. While visual interpretations probably need to be seen as subjective, there is obviously reason to agree with these well-known possibilities. Still the question remains whether these symbols can be evaluated by subjective interpretations.
So, the VMs provides further proof. In the VMs system, the first glyph is comparable to the letter omicron in the Greek alphabet. The presence of three intervening symbols between lambda and omicron is correct in the Greek system, as is the ability to read in either direction.
Likewise, the second symbol in the VMs system is comparable to the numeral for four in the medieval system and the placement relationship between 4 and 7 shows the expected two spaces in the proper direction.
Finally, in the Roman system, the fifth VMs symbol might be the Roman numeral for five, inverted and located in place of the *fifth* VMs glyph. Five in the fifth position.
In each case, the visual interpretation of the VMs glyph is supported by a positional component. That is, each subjective, visual interpretation is supported by an objective, positional confirmation in the relevant system. All three systems of interpretation run along the same set of VMS glyphs. I believe this is a deliberate construction in need of further investigation - a puzzle in need of a solution.