The Voynich Ninja

Full Version: New Blog post: "Mysterious Steganography"- a Damning Observation
You're currently viewing a stripped down version of our content. View the full version with proper formatting.
Pages: 1 2 3 4 5
What worries me is that Kircher speaks explicitly of the past

... multas huius farrinae scripturas variis occasionibus me dissolvisse memini, ...
Wow I am really glad I brought this issue up, here, and am impressed with the really open-minded and thoughtful responses. Not everyone got the subtle but important gist of the point I am making, but some have, and it is really being hashed out... along with many associated points.

I had no idea until now that there were those who didn't accept that the Voynich was the work being discussed in these letters, but who still feel the Voynich is old, and genuine. I do think that is the most valid position to take, if one accepts the premise of my argument/observation, to "disassociate" the Voynich FROM the description in the letters. I had actually not thought of that as a possible, and this is the reason I put these ideas out there, and expose them to harsh criticism... to see what other ways they can be interpreted, if properly understood. That is one of them.

I do think that if one holds both that it is the Voynich being discussed, however, that one needs to either 1) Accept it is modern and fake, OR, 2) accept impossibly high odds it is the same work as discussed in the letters, that it survived and was found by Voynich, and is real, and old.

You've given me a third possible: It is not the book discussed in the letters, but is still old, and real. Of course this removes the value of the given provenance of the letters... but if this is so, that too is a valuable possible to explore, whatever the Voynich turns out to be.

Anyway, great conversation.

Rich.
Hi Lisa! Very nice to hear from you on this subject. I really hope we have a chance to meet and discuss these matters in person someday. Most people may not realize that although we appear in the same documentary, it does not mean we necessarily met.

I also think it would be fun and informative to have a public debate on these matters. Various elements get hashed around on the internet, separately, but to have a good one or two hour discussion would I think be a great event. Maybe Clemens or Yale would be interested in this? I've meant to run it by them, and I'm again encouraged to give it a shot.

Anyway, of course this thread is about one specific issue which I raised, relating to the "differential" between the understandings of what was considered unknown and mysterious in the 17th century, as opposed to what would still be considered unknown and mysterious in 1912, so a general forgery discussion, including other issues, is out of the purview of this thread. However, since you bring up the forgery issue in general, and cite several counter-arguments to it, I think it would be appropriate and of interest to reply here:

(29-05-2022, 04:05 PM)LisaFaginDavis Wrote: You are not allowed to view links. Register or Login to view.I'm not sure if I've weighed in on this before, but the actual physical evidence of the manuscript itself makes a modern forgery staggeringly unlikely. It's one thing to argue that Voynich could have found some old parchment and mixed ink and pigments using fifteenth-century techniques. Sure, that's possible, albeit remotely so.

Accepting the possibility is an important thing, for sure. There are those that say it is impossible, that there are no odds at all. So how "remote" is it, really? Well it depends, I think, on how aware one is of the problems with the given, concrete, foundational elements of evidence that are relied on. It is my position that much of what one needs to accept as factual to support the Voynich as genuine, and old, are either flawed or incorrect: You are not allowed to view links. Register or Login to view.

Quote:But then to also argue that he developed multiple ways of writing Voynichese so that the manuscript would appear to have been written by several different scribes; drilled wormholes that pass through the writing; added waterstains and other damage that overlay the writing and UNDERlay the later foliation; crafted the evidence of multiple bindings; added the provenance evidence in the manuscript (such as the effaced inscription on f. 1r); laid on the layers of early-modern annotations and additions (such as the foliation) in multiple - and correct -  types of script that stretch over hundreds of years; etc. etc.


This is a case on which there needs to be several assumptions made to support genuine, because my forgery/hoax hypothesis: Does not contend that only one person worked on it, so I would not claim Wilfrid, "... developed multiple ways of writing Voynichese so that the manuscript would appear to have been written by several different scribes". It may have been several forgers. And deciding the possible numbers of scribes for a hoax is no different, in fact, than deciding the number of scribes for genuine. I mean, it does not add nor detract from a forgery outcome. As for wormholes, it is not my contention they were necessarily "drilled". But, they do "stop", which is odd. The Yale book which you contributed to talks about the "behavior" of these worms. In any case, wormholes can and have been faked in many convincing ways, and even real wormholes created, by forgers, in many cases: You are not allowed to view links. Register or Login to view.

As for the water stains and their appearance and behavior, the same: The issues of what we are looking at are not set in stone, in the first place, and open to multiple opinions. Secondly, the issues of quire numbers and foliation are also issues of contention, even among those who consider the Voynich genuine. Thirdly, considering both of those, and knowing the abilities and achievements of forgers, it is completely within the realm of possibility to fake everything seen in the Voynich.

I was challenged, not long ago, with the the "nofake" page(s) by Zandbergen, as proof I was wrong in my hypothesis. As his rebuttal to my theories relied heavily on the Yale book, and since the subject of your post here touches on several of the issues brought up there, and since you contributed to that book, I reference my rebuttal to his rebuttal: You are not allowed to view links. Register or Login to view.

In fact the "evidence of multiple bindings" is very pertinent to my rebuttal, linked above. I don't think that evidence, as described by the experts in the Yale book, is evidence toward genuine, but actually leans toward the opposite conclusions. I also don't think the "types of script" are correct, at least for any given time frame, and you of course know there are other expert opinions on these issues, which counter your own. That is good science, of course, but I have also found that multiple expert opinions... when the experts disagree... is often a sign of forgery in and of itself. That being said, the last page marginalia is written in the same ink as the scribe of the main text, as you know. It, at least, does not stretch over hundreds of years, let alone days, probably, given the limited life of fresh ink. There are many issues such as this, that do not fit an overall, given picture of the Voynich as a cohesive whole which obeys the known rules of forensic normalcy. Again, a critical reading of Yale shows many disclaimers for the anachronisms and anomalies the Voynich actually exhibits.

Quote:It is truly unimaginable that he could have done so in a way that would continue to appear authentic after decades of scrutiny. There are so many physical features of a medieval codex beyond the writing on the substrate, that it is truly unimaginable to contemplate a successful forgery of an entire manuscript.

Well I don't personally think it is a successful forgery at all (nor a very good one, for that matter). A successful forgery would not allow for any question, and I am far from the first who questions these things. Even among the experts, or most who consider it real and old, the questions remain. Real documents don't do this, and good forgeries don't, either. And in addition, if successful, if it looked proper, Voynich... later, Kraus (for Anne Nill) would have been able to sell it.

I think the Voynich has so far escaped condemnation through a series of unfortunate events, so to speak: It was born in a time when forensic standards were low, the ethics of book and art selling, were likewise, low. Then many aspects of the work, many problems, were repeated, and excused, and apologized for, over the ensuing decades, when they should have been looked at, anew. They were not, they are not. Any defense of the the Voynich is rife with apologetics, ignoring, deflection, to force it to continue to fit an early 20th century mindset of acceptance. I think that if... and I've often said this, too... if the Voynich were dropped in our laps today, just as it is, with the same given backstory, provenance, text illustrations, on the same calfskin, it wouldn't for a moment be considered real. It is its history of acceptance that buttresses its acceptance today.

I would say... and have often written... that there are some unfortunate parallels to the other famous holding by Yale, the Vineland Map. It has had a tumultuous history, with much disagreement in the expert and amateur communities. It has been held up, to me in fact, as a good example of why I was wrong, because the Vineland map was real. I argued the two are not linked in the sense that if one was fake, or real, the other was the same. I don't think that. But there are parallels, and valuable lessons in them: Chief is, even a fake, even a bad fake, can be seen and argued, in good faith, by many experts, for many years, as real.

That is the parallel to the Voynich I see now, as the Vineland map is now a known an accepted fake even by Yale. I think, with time, Yale will also come to accept the Voynich as a hoax. It will only take a full understanding, at least discussion, of the real problems with it. That is still is not done to the extend it demands.

Rich.

You are not allowed to view links. Register or Login to view.
(30-05-2022, 03:36 PM)proto57 Wrote: You are not allowed to view links. Register or Login to view.I would say... and have often written... that there are some unfortunate parallels to the other famous holding by Yale, the Vineland Map. It has had a tumultuous history, with much disagreement in the expert and amateur communities. It has been held up, to me in fact, as a good example of why I was wrong, because the Vineland map was real. I argued the two are not linked in the sense that if one was fake, or real, the other was the same. I don't think that. But there are parallels, and valuable lessons in them: Chief is, even a fake, even a bad fake, can be seen and argued, in good faith, by many experts, for many years, as real.

That is the parallel to the Voynich I see now, as the Vineland map is now a known an accepted fake even by Yale. I think, with time, Yale will also come to accept the Voynich as a hoax. It will only take a full understanding, at least discussion, of the real problems with it. That is still is not done to the extend it demands.

I think comparing the VMS with the Vinland map is not useful. The Vinland Map has been analytically exposed as a forgery, 20th century titanium pigments have been used in the ink. The opposite is the case with the VMS (McCrone,2009).

By the way, it is relatively easy to find a sheet of parchment from this period to make a fake. To assemble blank sheets in the quantity of a manuscript from the same period is, well, let's say, a rather difficult challenge. Not to mention other issues ( binding, wormholes, ink etc.).
(30-05-2022, 09:50 AM)Helmut Winkler Wrote: You are not allowed to view links. Register or Login to view.What worries me is that Kircher speaks explicitly of the past

... multas huius farrinae scripturas variis occasionibus me dissolvisse memini, ...

And why does that worry you?
Lisa, assuming that you are privy to details of the McCrone analysis beyond the summary made public, are you able to comment on:

* Barbara Bennett's claim in _Fortean Times_ that "...McCrone Associates tested the ink and determined...that it had been applied to 'fresh' vellum: i.e. before a patina had built up, meaning within months of the vellum being made if not mere weeks afterwards..." (You are not allowed to view links. Register or Login to view.)

* Rich's reading of the public report as implying that the the You are not allowed to view links. Register or Login to view. marginalia sampled was contemporary with the main text and drawing ("...Barabe also concluded that certain quire and page numbers were different than the main text inks, telling us that if the f166v (sic) ink were different, we would have been so informed. In effect, the conclusion tells us that the marginalia was applied 'contemporaneously' with the main text ink!....the ink of the main text and the 'pox leber' marginalia are the same, according to the well-respected scholarship of McCrone." -- You are not allowed to view links. Register or Login to view.).

Hopefully NDAs regarding further details don't prevent clarification on these points.
(30-05-2022, 02:44 PM)proto57 Wrote: You are not allowed to view links. Register or Login to view.I had no idea until now that there were those who didn't accept that the Voynich was the work being discussed in these letters,

For me, everyone is entitled to have his or her own opinion, and I won't make it my mission (anymore) to convince anyone of anything.

For the above question, the divider is likely to be whether one believes that the 1665 Marci letter is genuine, or a fake. If it is genuine (for which there is excellent evidence), then the other letters are strongly linked to the Voynich MS. If it were a fake, then this link does not necessarily exist.
(29-05-2022, 04:05 PM)LisaFaginDavis Wrote: You are not allowed to view links. Register or Login to view.It's one thing to argue that Voynich could have found some old parchment and mixed ink and pigments using fifteenth-century techniques. Sure, that's possible, albeit remotely so.

Before his 1912 major deal with the Jesuits, Voynich was not a big-time dealer. Had he had access to a stock of genuine old parchment, he would have been able immediately to make some good money by selling it in this form.

What few people know is that he actually did this with genuine old paper. He sold sheets of these to a Scottish artist whose name escapes me. This is reported by Millicent Sowerby, who worked with Voynich from 1912 - 1914.
(30-05-2022, 08:10 PM)davidjackson Wrote: You are not allowed to view links. Register or Login to view.
(30-05-2022, 09:50 AM)Helmut Winkler Wrote: You are not allowed to view links. Register or Login to view.What worries me is that Kircher speaks explicitly of the past

... multas huius farrinae scripturas variis occasionibus me dissolvisse memini, ...

And why does that worry you?

Maybe worrying is not thr right word, it starts me thinking, A.K. speaks about something which really happened in the past, reading texts similar to the ms.,  which not only means it is a real text, but someone in the 17th c. was able to readi it (I avoid the term deciphre)
(30-05-2022, 09:55 PM)kckluge Wrote: You are not allowed to view links. Register or Login to view.Lisa, assuming that you are privy to details of the McCrone analysis beyond the summary made public, are you able to comment on:

* Barbara Bennett's claim in _Fortean Times_ that "...McCrone Associates tested the ink and determined...that it had been applied to 'fresh' vellum: i.e. before a patina had built up, meaning within months of the vellum being made if not mere weeks afterwards..." (You are not allowed to view links. Register or Login to view.)

* Rich's reading of the public report as implying that the the You are not allowed to view links. Register or Login to view. marginalia sampled was contemporary with the main text and drawing ("...Barabe also concluded that certain quire and page numbers were different than the main text inks, telling us that if the f166v (sic) ink were different, we would have been so informed. In effect, the conclusion tells us that the marginalia was applied 'contemporaneously' with the main text ink!....the ink of the main text and the 'pox leber' marginalia are the same, according to the well-respected scholarship of McCrone." -- You are not allowed to view links. Register or Login to view.).

Hopefully NDAs regarding further details don't prevent clarification on these points.

I don't have access to anything that isn't already public - I'm not affiliated with Yale at the moment, so I wouldn't have access to anything confidential. But I'm not sure what your point is in citing these observations. There's nothing unusual about parchment being used soon after its creation...what do you think that observation implies? And as for 116v, there are other inscriptions in the manuscript that appear to be roughly contemporaneous with the C14 dating: not only 116v, but the months on the zodiac pages and the inscription on f. 17r. None of this seems suspicious to me.
Pages: 1 2 3 4 5