Hi David:
(28-05-2022, 02:46 PM)proto57 Wrote: You are not allowed to view links. Register or Login to view.My point is that... real or fake... most if not all of the unidentified languages and scripts in the 17th century were, by 1912, at least identified if not read. So for any language or characters to be both unidentifiable in the 1600's, AND then still be unidentifiable in 1912, is staggeringly unlikely. It strongly implies to me that... in order for this to be the case... the 1912 script and language would have to be invented around 1912, in order to fulfill the 17th century descriptions of "unknown" and "mysterious".
(28-05-2022, 03:49 PM)davidjackson Wrote: You are not allowed to view links. Register or Login to view.That's not really the argument, actually. Whether or not the same script was mysterious in both the 17th and 21st centuries or not is irrelevant, because that doesn't provide a link.
I'm not entirely certain what you mean about it "not providing a link". I don't think there is any link, and the lack of one could actually be seen as an element of my point: There is no link between a text described as unknown in the 17th century, and one described as unknown in the 20th. But I am not sure what you meant, so I've possibly misinterpreted your point and misused it. Sorry.
Quote:Your point is that it would have to be a script unknown to Western linguistics in the 17th century, but which fits the Voynich template.
I repeat what I have written before:
Those are fine observations about the semantics of the wording of the letters, and I have no problem with that. I agree that the work they saw, that they were writing about, confounded them in many ways, and the effort you make... as does Philip Neal, Zandbergen and others, is a worthwhile one.
It is valuable on many levels, but does not alter or affect the argument I am making, here, as in my post, and summarized, above.
That being said, if you mean by "which fits the Voynich template" the text that they did actually see, I don't think it would have, at all. It was probably something which today we would consider quite mundane and understandable... it's meaning, dating, origins, geography, history.
By the way, I highly recommend Maurice Pope's "The Story of Decipherment", if any of you haven't read it. The history and family tree of languages and scripts is outlined, in order to understand and place each deciphered language in an historic context. It was during reading this that I realized the incompatible differential between a 17th century understanding of "unknown", with an early 20th century one. But there are so many other points which can be gleaned from knowing the history of languages, not the least of which is that the Voynich script does not fall in any of them. This is another thing which distinguishes Voynichese... it fits nowhere. It is not something I elaborated on in this blog post, but hope to do so in a future one.
That is, for all the unknowns to the men of the letters, for most of them, then, and all of them, later, they fit somewhere. In some age, some origin, some geography. Rongorogo is totally unknown, but we know who made it, and approximately, when. The Phaistos Disk, that ring from China, and I think all that one can think of: All might be mysterious and unknown and untranslatable, but about where they fall in the tree can be known.
Which brings me back to Koen's point, that there are unique, and real, objects, like the Anikythera Mechanism: But we know who made the Antikythera mechanism, and why, and approximately, when. It is unique in form, as nothing like it exists from the time it was made, but there is where the similarity to the Voynich ends: Because just like all the solved languages, the Anikythera Mechanism was solved. It is unique, but not an unknown, and not a mystery. This, because it has the signs all over it, of where it belongs, where it came from. The Voynich does not.
Rich.
PS: Sorry I had to edit that a couple of times to fix my messing up the formatting... still not great, but I'll leave it for now...