Thanks to JKP for this very clear picture:
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The three versions of cyclamen clearly show the difference between the alchemical herbal(s) - on the left - and the Tractatus de Herbis - the other two.
The two on the right have a reasonable resemblance with the real plant, while the one on the left could hardly be recognised if it weren't for the name. Even while the name is not the same, it is still a known name for cyclamen.
It would be easy to mistake the one on the left as a composite, even if it (probably) isn't, since the leaves are not the right ones for this plant. The only giveaway is the bulb.
(22-02-2021, 09:24 PM)R. Sale Wrote: You are not allowed to view links. Register or Login to view.Even a potentially valid plant identification reveals nothing beyond itself.
I think it is possible that correct plant identifications could provide a crucial clue to deciphering the text. Very likely, the plant name is always at the beginning of the descriptive text and may occur only once. This opens different possibilities for investigation.
In the case of compound plants, identification would be practically impossible. Any effort in this direction would be doomed to failure from the start.
(23-02-2021, 07:30 AM)-JKP- Wrote: You are not allowed to view links. Register or Login to view.Many plants are very similar, so the drawings may be similar even if they are not the same plants ... Medieval herbals sometimes include two or three plants of the same family that are very similar.
In your experience JKP, when this occurs, are these illustrations typically all found on the same page or nearby?
Also, on a related note, how commonly have you seen a medieval herbal include multiple hard-to-distinguish plant drawings in close proximity, which actually have nothing taxonomic or practical in common? (I’ve been thinking a lot about Herbal B with this second question; more on that later.)
(23-02-2021, 11:18 AM)bi3mw Wrote: You are not allowed to view links. Register or Login to view. (22-02-2021, 09:24 PM)R. Sale Wrote: You are not allowed to view links. Register or Login to view.Even a potentially valid plant identification reveals nothing beyond itself.
I think it is possible that correct plant identifications could provide a crucial clue to deciphering the text. Very likely, the plant name is always at the beginning of the descriptive text and may occur only once. This opens different possibilities for investigation.
In the case of compound plants, identification would be practically impossible. Any effort in this direction would be doomed to failure from the start.
I do not disagree about the possibilities, such a breakthrough could be momentous, but so far this remains hypothetical. Meanwhile, here we are, with the long-standing and ongoing inability to make any such textual / linguistic connections as the current reality.
How about this? What VMs plant has the best identification? What names across a reasonable range of languages can be applied to that plant? What vord in the VMs text might represent that plant name? If that does not work, what are the prospects for progress in this method of investigation???
It's like JKP says, one plant can have many names. And depending on the region, it is called something else. What should I look for?
Take hazel root, for example: I've read it a hundred times in recipes, and it also has many names.
So far I have only found one name of a plant where I am 80% sure that it applies.
This is because it has the same name in Latin, Greek and German. The name matches the word Taurus, and only occurs once in the VM.
When you see it, it doesn't have much at first sight. But if you know the recipes and in which status it was used, that also matches the VM drawing.
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Thanks for taking the time to answer that, JKP. What this means is, not knowing who the intended audience of the VMs was, or what the intended uses of its herbal sections were, we really don't have any solid basis for expecting any given plant to be juxtaposed (including "compounded") with any other. Add to this already tall stack of unknowns whatever rearrangement and removal of folios has been done, by people who had no more idea of the book's intended audience and use than we do.
I know this is a lot to assume, but just as a thought experiment, let's take it for granted that You are not allowed to view links.
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Login to view. really is, and was always intended to be, the first and introductory page of Herbal A. This would mean that the plant on You are not allowed to view links.
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Login to view. was intended to the be the first plant the reader would encounter. This could be entirely coincidental, but I find it interesting that You are not allowed to view links.
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Login to view. is not only the first plant pictured, but also one of the more realistic and agreed-upon identifications made. Could it be that the creators of the VMs initially intended to illustrate all of the plants realistically and unambiguously, but soon abandoned this plan due to time, talent, or resource constraints? Or increasing pressure to be cagey about the manuscript's contents?
Going out on this limb and deeming You are not allowed to view links.
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Login to view. "the first plant drawing" also makes me want to ask this question:
What kind of herbal writer, with what intended audience, might see it as proper to include water lily first?
It is very likely that You are not allowed to view links.
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Login to view. is also accepted as knapweed, so there might be some initial clustering going on.