I've recently been looking at a form of writing with characteristics that might be of interest in light of the foregoing conversation, since it's partially verbose and also involves a rigid ordering of glyphs within a "word."
This is Stenotype, a form of machine shorthand in which each syllable is encoded by pressing one or more keys simultaneously ("chording," like playing a chord on a piano). The left hand controls keys for syllable-initial consonants, the thumbs control keys for vowels, and the right hand controls keys for syllable-final consonants. The keyboard looks like this:
![[Image: 440px-Stenotype_en_layout.svg.png]](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Stenotype_en_layout.svg/440px-Stenotype_en_layout.svg.png)
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Letters for which single keys aren't provided are encoded by pressing multiple keys at once on the relevant part of the keyboard, which is what makes the system partially verbose. For example, syllable-initial B is PW, syllable-initial N is TPH, short I is EU, long I is AOEU, syllable-final M is PL, and syllable-final J is PBLG. Each key has a vertical column assigned to it on the continuous paper strip the machine spits out, so for each syllable the corresponding letter is either present there or not. The strip advances upward one row each time any keys are struck, and the result (with some abbreviations thrown in) looks like this:
![[Image: 700px-PrimerStenoMashinki.svg.png]](https://upload.wikimedia.org/wikipedia/commons/thumb/2/29/PrimerStenoMashinki.svg/700px-PrimerStenoMashinki.svg.png)
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The asterisk is used in a line by itself to mark a mistake, but it can also be combined with other keys to make additional distinctions, such as F for final F but *F for final V. There's also a number bar at the top of the keyboard that functions like a shift key so that, in connection with it, S types 1, T on the left types 2, P on the left types 3, H types 4, and so on.
Sometimes words or even individual syllables need to be split into multiple lines, depending on the order of the phonemes in them, e.g. PHAR ("Mar") and then FP ("ch") for "March." This situation is variously indicated in training materials, e.g., as PHAR=FP.
Four characters can appear on either the left or the right -- S, T, P, and R -- but every other character can appear only in one designated spot relative to the other characters. On this basis, it seems to me that a Stenotype "word grammar" might look something like a Voynichese one (such as Stolfi's); if anything, it would probably be even simpler. Meanwhile, the reduced character set and predictable order must surely reduce entropy a good deal.
Stenotype conventionally marks the beginning of a paragraph with P*, PF, PRAF, or something similar (depending on the specific system), which means that each paragraph begins with P. Does this remind you of anything in Voynichese? Other punctuation is also encoded by combinations of regular characters, such as PLTD on the right for a period.
I don't want to make too much of all this -- after all, there are plenty of characteristics Voynichese and Stenotype *don't* share in common. But Stenotype seems like an interesting point of comparison nevertheless.
I'm not sure how best to transcribe Stenotype text for statistical analysis, but here's a short specimen with all the left-hand characters capitalized, if anybody cares to experiment with it or expand it (original at You are not allowed to view links.
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Quote:PHeu TKer PHR PWRoupb fplt fplt eul Reu u a HReupb or 2 To PHa PHRaeupb PHeu ob fplt euf TPHo PHReu To PHa Tot Pub Kar Ko fplt eu THeu THel f fp PHor TPor PWour Ko pb u PWHRef fplt HRao TH up W Kar fplt TKer PWRo Heul fplt fplt euf ur KWeur f PHa 10 fplt eurb TKo Waeubg Tof Kapb Tat TRaeupb TPor PWuf HRo fplt el Refp THR PWf Wopb fplt el He u PHorpb eu Ko fplt TKer PHR Hafp fplt fplt eu Weurb u Wo Reu PHe WHu HRb Her PWf eu HRef TPor PHeul Wau Ke fplt Hu Reupb PWf THau W Tob Her rbgs eu Wof Tapb ur Peupb up Wour PReupb fplt eul HRao af THa TKa Houfr rbgs apbd l f PHor TPor PWt PWf u Refp Her