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Voynich Decoded - Printable Version +- The Voynich Ninja (https://www.voynich.ninja) +-- Forum: Voynich Research (https://www.voynich.ninja/forum-27.html) +--- Forum: Theories & Solutions (https://www.voynich.ninja/forum-58.html) +--- Thread: Voynich Decoded (/thread-4606.html) |
RE: Full Decode Refinement - tavie - 01-05-2025 Posting on this forum is a privilege, not a right. You're coming across like an entitled child with these threats. Nothing in his post was defamatory, and if that is how you view criticism, I fear we'll soon be swimming in warnings from your "lawyer". Perhaps it is indeed best that this thread is closed so as to save your legal fees. RE: Full Decode Refinement - Koen G - 01-05-2025 When people start talking about lawyers, I prefer not being involved. I wish you good luck with your theory, Kris. Music of the Spheres and Harmonics Revealed — Refinement 4 - Kris1212 - 16-07-2025 Some of you may remember my early posts about the symbolic structure of the Voynich glyphs. At the time I’d developed what became Refinement 1 of the decode key. After that, I withdrew and continued the work independently. A major part of that work is now complete, and it has revealed more. Refinement 4 is now published on Academia. It includes:
The system is not a language — and cannot be one. No natural language permits constructs like eeee, iiii, or oooooooo. But in a harmonic, symbolic system governed by procedure and cycle? They make perfect sense. You don’t have to believe it, but you’re invited to test it. All spreadsheets are available, and the system works. I welcome genuine engagement — including reasoned challenge. I’m currently working with an Italian music professor from Milan who’s reviewing the harmonic structure. He’s already noted musical coherence in the gallows glyphs, modal pauses, and beat timing. You’re welcome to share this work for discussion. You are not welcome to alter, distort, or ridicule it. Full papers are on my Academia with links to the google drive of all the data, this is being updated daily You are not allowed to view links. Register or Login to view. Google drive link You are not allowed to view links. Register or Login to view. also a website which is new and still under construction. ? You are not allowed to view links. Register or Login to view. RE: Music of the Spheres and Harmonics Revealed — Refinement 4 - Mauro - 17-07-2025 What's missing in your work, imho, is the evidence. RE: Music of the Spheres and Harmonics Revealed — Refinement 4 - Kris1212 - 17-07-2025 Thank you — but I’d suggest the opposite. What’s different in my work is that the evidence isn’t buried under assumptions. It’s counted. Structured. Testable. Show me where it doesn't work? RE: Music of the Spheres and Harmonics Revealed — Refinement 4 - Mauro - 17-07-2025 (17-07-2025, 01:30 PM)Kris1212 Wrote: You are not allowed to view links. Register or Login to view.Thank you — but I’d suggest the opposite. I'd rather say your assumptions are counted and structured (and they are very many), that's surely true, and they form an ingenious system, but where is the 'testable' part? Ie. from your table 'daiin' = 'NOON SPIRITUS 2.5-HOURS 2.5-HOURS SUNSET'. How are you going to 'test' that? What does it ever mean, be it in linguistic or musical terms or whatever? Remember: 'evidence' means "it's more probable under hypothesis X than under hypothesis notX", it does not mean at all "I devised a chain of assumptions which look plausible to me". The former is difficult to do, the latter not so much. (17-07-2025, 01:30 PM)Kris1212 Wrote: You are not allowed to view links. Register or Login to view.Show me where it doesn't work? It doesn't work in the same way the recent 'solution' here: You are not allowed to view links. Register or Login to view. did not work. In both cases a long sequence of hypothesis leads to an extremely fuzzy and untestable conclusion with no evidence. RE: Music of the Spheres and Harmonics Revealed — Refinement 4 - Kris1212 - 17-07-2025 That decode proves my point — it’s exactly what this system isn’t. No glyph counts. No internal constraints. No explanation for why glyphs repeat, terminate, or structure across folios. Just loose guesses across multiple languages — no testable logic, no predictive structure. By contrast, my system:
If it breaks, show where. Otherwise, this isn’t the same as those surface-level attempts. It’s procedural, symbolic, and it holds throughout the manuscript. RE: Music of the Spheres and Harmonics Revealed — Refinement 4 - Kris1212 - 19-07-2025 Quick update on harmonic tones — and it’s a big one. I’ve finished going through the full matrix block pairings and what’s become clear is that there are only four true harmonic tones in the system: f (Divine), p (Jupiter), k (Mars), and t (Saturn). These are the only glyphs that ever enter the core modulation structure — they appear between c and h, and act directly on the ritual subject. All the others are not tones. They don’t modulate anything. They set the field. So o (Sunrise), l (Moon), q (Venus), d (Noon), n (Sunset), and even g (Mercury) — all of them are now classified as harmonic fields. They frame the ritual, not drive it. Like cosmic timing gates — the wave comes through when they’re open, but they’re not the wave itself. There’s only one instance of t followed by k in the entire manuscript — a compressed Saturn–Mars ignition. And zero instances of k followed by t. Mars never leads. Force never comes first. That’s ritual law. Here’s the new matrix with all the block evidence You are not allowed to view links. Register or Login to view. The system just locked tighter. :-) RE: Voynich Decoded - Koen G - 19-07-2025 I re-opened your theory thread for a second chance, please don't be belligerent or litigious anymore. RE: Voynich Decoded - Kris1212 - 20-07-2025 Appreciate the re-opening |