(25-09-2016, 12:56 PM)Emma May Smith Wrote: You are not allowed to view links. Register or Login to view.Sam, first off, I'm happy we're having this conversation. I think it must be the most sustained discussion of Voynich phonology in a long time.
Thanks. It's definitely nice to talk to someone who knows something about the text and has at least a somewhat compatible idea about what is going on with it.
Quote: (25-09-2016, 02:05 AM)Sam G Wrote: You are not allowed to view links. Register or Login to view.It's possible, but there are also words ending in es and ees so interpreting y as a consonant in this context also makes sense (assuming we regard s as a consonant).
Also there are words ending in oy, which are admittedly very rare but this would also point to y functioning as a consonant (in parallel with common o-endings ol and or).
Where do words ending eos and eeos fit in with this? My own hypothesis is that y disappears in many internal positions and transforms into a in others. There are plenty of cases in internal y, but maybe fewer than we would expect.
I did read your blog posts about this theory a while back... maybe I will re-read them. I remember not really understanding why
y should be assumed to have been deleted in various places.
Anyway, I don't dispute that
y does in fact behave like
o in many cases. But I think it also behaves as a consonant in other ways. Basically it seems to have a role in two separate subsystems of the script, if that makes sense.
Maybe this will make it clear what I'm getting at:
or ar
os es
ol al
oy ey
Basically it seems that
l is to
y as
r is to
s, both in terms of where these letters may and may not occur (at least with respect to when they follow vowels), and in terms of the shapes of the letters themselves. Now, I know that these shapes are borrowed from (abbreviated) Latin, and in Latin the similarities between these shapes are coincidental, as they are not related to one another. But in Voynichese they're clearly not coincidental - whoever devised the script selected letters such that their shapes would relate to the role the letters play in words and so that the script would have this kind of symmetry and structure in it.
I don't feel comfortable throwing this kind of information away, and in fact in my mind it takes precedence over ideas from linguistic theory. But there's not necessarily a contradiction. If on the one hand
y sometimes behaves like
o and on the other hand it's part of a system with other letters that seem to be consonants, then one explanation could be that it's a syllabic consonant. Another explanation, and perhaps a better one, is that
y is simply representing two entirely different sounds (one a vowel and one a consonant). Maybe there are other possibilities. I admit that I've found it a bit puzzling.
Quote:Quote:A word like lkaiin would seem to parallel ykaiin, would it not? And again there's the fact that y and l seem to be related generally.
I would assume ykaiin parallels okaiin.
Well, I agree that's more likely to be true in a grammatical sense, but phonetically, if we're assuming
ykaiin is a two-syllable word, then it's not obvious that
lkaiin is not also a two-syllable word (though, perhaps it is only one syllable).