01-10-2026, 12:25 PM
I made some research and couldn't find any detailed similar discussion. Sorry, if it was suggested before.
How do you find the idea that the Rosettes "map" is actually a kind of portable altar used for contacting the spirits?
As you may know from my previous posts I like the idea that Voynich Manuscript was once a bunch of loose pages used by some wandering charlatan. So "contacting the spirits" wouldn't be real, it would be a show for some silly folks willing to throw a few pfennigs into charlatan's bowl for it. He would "reveal the future" for them or get some blessing from the spirits.
There is something as almadel ( You are not allowed to view links. Register or Login to view. ) which is exactly such an altar. It isn't the same as Rosettes but it gives some vibes:
[attachment=17974]
In such altar there was a central place, sometimes called locus (place, point) where you put a crystal ball to contact the spirits. That would be "Heavenly Jerusalem" part of the Rosettes.
![[Image: ded0427d28ffca0d2ba964de634ecc7e.jpg]](https://i.pinimg.com/originals/de/d0/42/ded0427d28ffca0d2ba964de634ecc7e.jpg)
![[Image: Voynich_rosettes11.jpg]](https://www.alchemywebsite.com/images/Voynich_rosettes11.jpg)
In these altars the central point is surrounded by other points that may symbolize planets, angels, or some "points of power" responsible for different areas like health, love, prosperity, luck etc.
There were many similar diagrams which could work as well as altars in magical grimoires. I include some examples below which all are a bit Rosettes like for me. The modern stuff in the pictures was made according to much older sources like Lesser Key of Solomon.
[attachment=17976]
These pictures are not the same as Rosettes but it isn't a big problem for me. There weren't big magical traditions and standards in Medieval Ages. Magical treatises could exist only in one copy or at most few copies. When authorities got their hands on them, they happily burnt them. Not many of them survived. So when you compare grimoires they differ a lot, give very different lists of angels and demons, desribe different ceremonies and have different imagery.
And don't forget that the Voynich artist could know they won't be really summoning spirits but rather cheating people so he could be a bit freestyling and doing it his own way.
I may write a bit more later. But as for now, how do you like the magic altar idea?
How do you find the idea that the Rosettes "map" is actually a kind of portable altar used for contacting the spirits?
As you may know from my previous posts I like the idea that Voynich Manuscript was once a bunch of loose pages used by some wandering charlatan. So "contacting the spirits" wouldn't be real, it would be a show for some silly folks willing to throw a few pfennigs into charlatan's bowl for it. He would "reveal the future" for them or get some blessing from the spirits.
There is something as almadel ( You are not allowed to view links. Register or Login to view. ) which is exactly such an altar. It isn't the same as Rosettes but it gives some vibes:
[attachment=17974]
In such altar there was a central place, sometimes called locus (place, point) where you put a crystal ball to contact the spirits. That would be "Heavenly Jerusalem" part of the Rosettes.
![[Image: ded0427d28ffca0d2ba964de634ecc7e.jpg]](https://i.pinimg.com/originals/de/d0/42/ded0427d28ffca0d2ba964de634ecc7e.jpg)
![[Image: Voynich_rosettes11.jpg]](https://www.alchemywebsite.com/images/Voynich_rosettes11.jpg)
In these altars the central point is surrounded by other points that may symbolize planets, angels, or some "points of power" responsible for different areas like health, love, prosperity, luck etc.
There were many similar diagrams which could work as well as altars in magical grimoires. I include some examples below which all are a bit Rosettes like for me. The modern stuff in the pictures was made according to much older sources like Lesser Key of Solomon.
[attachment=17976]
These pictures are not the same as Rosettes but it isn't a big problem for me. There weren't big magical traditions and standards in Medieval Ages. Magical treatises could exist only in one copy or at most few copies. When authorities got their hands on them, they happily burnt them. Not many of them survived. So when you compare grimoires they differ a lot, give very different lists of angels and demons, desribe different ceremonies and have different imagery.
And don't forget that the Voynich artist could know they won't be really summoning spirits but rather cheating people so he could be a bit freestyling and doing it his own way.
I may write a bit more later. But as for now, how do you like the magic altar idea?
![[Image: Circletriangle.gif]](https://upload.wikimedia.org/wikipedia/commons/0/0c/Circletriangle.gif)
It requires some comment however.