05-03-2026, 09:16 PM
Hi everyone, Loose_Spell_9313 from Reddit here,
I wasn't going to hop ship, but everyone got silent over there. It's weird when things get silent on Reddit. Anyway- a brief overview for those who may not have seen any of my stuff over there. Attached are the annotated versions presented as well as links to the original posts.
A few days ago I decided to dive into the Voynich, just as a curiosity. That was when I realized that by viewing the image on the left-hand side of p.67 as a proto-clock, you can (without stretching) arrive at the conclusion that there was a very short ~3.5 hour difference between sunrise and sunset. In my original post, I included calculations for 3-5 hours for safe margin- all of which leave you somewhere in the Arctic Circle.
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I then took a bit of a closer look at the text, in which I analyzed the 'P' ('gallow') as a punctuation as opposed to a linguistic character. I know this is not the first time this concept has been floated, but I do not believe anyone has proposed it in the capacity I have. If they have, please let me know. I don't want to make inaccurate statements here or taking credit for long-standing ideas. By breaking it down by the prominence of 'P', a lingual structure seems to become easily visible with observable frequencies. This methodology is applicable to the entirety of the manuscript without variation.
In conversation to gain a better understanding regarding the conversion in terms of linguistic entropy, I also noted the consistency of '8' with certain characters throughout the entirety of the script, "a", "o", "low 9 (y)", "c-c", and "aN" throughout the entirety of the manuscript. Understanding the '8'->'8bre' in Italian clerical records, I wondered if a similar methodology would work here where the preceding and succeeding character represent different intonations to produce variations of "otto", such as "otti","otte", "ott", etc. It was called into question the consistency of this pairing, so I have attached a comprehensive version of a single page showing both the pairings with '8' and all content body breaks as well.
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There is one error line break in the bottom half in the third line up with the '8aN'. Please disregard that one.
This image is the initial model, although I also made additional variants based on my inability to differentiate a couple & have attached those below as well.
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I also analyzed 'Map with Ship' by Marco Polo, which seems to have revealed some interesting consistencies between the two- and a potentially corresponding page in the Voynich, based on both context and chemical irritant/staining and potentially some corresponding superficial lines. Based on this, I ponder/propose the Polo family as the potential authors of the Voynich, although perhaps later translated by scribes or simply transcribed a copy of a pre-existing body based on the Polos' work. I did elaborate a little more in an additional post as well.
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Anyway, I just thought I would share this here as I was told you might enjoy it. I am willing to answer any questions or explore more, but please be respectful if you choose to engage- that's all I ask.
I wasn't going to hop ship, but everyone got silent over there. It's weird when things get silent on Reddit. Anyway- a brief overview for those who may not have seen any of my stuff over there. Attached are the annotated versions presented as well as links to the original posts.
A few days ago I decided to dive into the Voynich, just as a curiosity. That was when I realized that by viewing the image on the left-hand side of p.67 as a proto-clock, you can (without stretching) arrive at the conclusion that there was a very short ~3.5 hour difference between sunrise and sunset. In my original post, I included calculations for 3-5 hours for safe margin- all of which leave you somewhere in the Arctic Circle.
You are not allowed to view links. Register or Login to view.
I then took a bit of a closer look at the text, in which I analyzed the 'P' ('gallow') as a punctuation as opposed to a linguistic character. I know this is not the first time this concept has been floated, but I do not believe anyone has proposed it in the capacity I have. If they have, please let me know. I don't want to make inaccurate statements here or taking credit for long-standing ideas. By breaking it down by the prominence of 'P', a lingual structure seems to become easily visible with observable frequencies. This methodology is applicable to the entirety of the manuscript without variation.
In conversation to gain a better understanding regarding the conversion in terms of linguistic entropy, I also noted the consistency of '8' with certain characters throughout the entirety of the script, "a", "o", "low 9 (y)", "c-c", and "aN" throughout the entirety of the manuscript. Understanding the '8'->'8bre' in Italian clerical records, I wondered if a similar methodology would work here where the preceding and succeeding character represent different intonations to produce variations of "otto", such as "otti","otte", "ott", etc. It was called into question the consistency of this pairing, so I have attached a comprehensive version of a single page showing both the pairings with '8' and all content body breaks as well.
You are not allowed to view links. Register or Login to view.
You are not allowed to view links. Register or Login to view.
You are not allowed to view links. Register or Login to view.
There is one error line break in the bottom half in the third line up with the '8aN'. Please disregard that one.
This image is the initial model, although I also made additional variants based on my inability to differentiate a couple & have attached those below as well.
You are not allowed to view links. Register or Login to view.
You are not allowed to view links. Register or Login to view.
I also analyzed 'Map with Ship' by Marco Polo, which seems to have revealed some interesting consistencies between the two- and a potentially corresponding page in the Voynich, based on both context and chemical irritant/staining and potentially some corresponding superficial lines. Based on this, I ponder/propose the Polo family as the potential authors of the Voynich, although perhaps later translated by scribes or simply transcribed a copy of a pre-existing body based on the Polos' work. I did elaborate a little more in an additional post as well.
You are not allowed to view links. Register or Login to view.
You are not allowed to view links. Register or Login to view.
You are not allowed to view links. Register or Login to view.
Anyway, I just thought I would share this here as I was told you might enjoy it. I am willing to answer any questions or explore more, but please be respectful if you choose to engage- that's all I ask.